The past meets the future


I have become a huge advocate of streaming over the last few years as streaming has at long last reached audiophile sound quality. So, for someone that is new to audio or does not have a lot of money invested… it is hard to recommend this route.

However, as an old fart. One that suffered through low end turntables, unbelievable surface noise, scratched records, and debatable fidelity for much of his life. Owning a tremendous analog end is such a pleasure. I recently upgraded my contemporary Linn LP12 to nearly the maximum. I have a Audio Research Reference 3 phono stage so the sound quality is simply stunning.

Taking a Covid break and going to my local record store… buying a half dozen great old blues albums… cleaning up to pristine condition. It is such a pleasure to hear such fidelity and musicality from a ritual I have performed since a teenager… record store, spinning. That has been mainstream for me for over fifty years. I guess it is like the old Shortwave radio guys when I was growing up. They had the 25’ antenna sticking up above their suburban houses in the 1960’s.

Just a nod to the era and tradition that will soon pass into history. It has been a blast.

ghdprentice

Being one of the people who gets royally screwed by streaming.....I will never do it.

Streaming is another Method to create a replay of a music recording.

In terms of the Technology, it is the latest and most relevant, and interfaces quite satisfactorily into general methods used in a household today.

There are those who use downloaded content only, and some others are using Hard Media that is stored as a file in conjunction with downloaded content.

When it comes to the individuals who have chose to use Hard Media and create a stored file, these Hard Media Items were at one time a sale item that was supplying a performer/performers and their support, a reasonable remuneration for their work.

A New Act with a growing fan base could quite easily develop their act, as the monies were available to get to this level. Nearly all Hard Media owned by myself in the past, especially my earliest days has been purchased as new items.

Today I know how my purchase along with many others purchases benefitted a Performer or Group.

Today with the knowledge of how beneficial Hard Media Merchandise is to a New Act, I deliberately buy the material, my most recent being a Crowd Fund for a Group I have almost Zero Knowledge of.

If I were to go down the streaming route, my purchase of New Acts Material would be meniscal as a remuneration and the chances of the New Act to survive is severely at risk, when revenues from streaming are the only method for receiving a payment for the work.

Resorting to a Live Performance will help with remuneration, but again, the turnaround of Performers and Bands is becoming vast, and very few are not able to develop their full potential, as monies are quite starved.

I don't look forward to the time the only option is,  to attempt to enjoy music replayed as a streamed content in the home, from an endless roll over of short lived acts that produce almost identical content, very similar to how a TV music channel works . I also enjoy seeing a Act that has a longevity, one that develops their skills and ultimately become one that is more than worth seeing live and is able to be present for a long period of time, this is where the best memories are to be found. 

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But what I find most comical are those artists that introduce "scratchy sections" in their recordings - and I have to wonder WHY?

Will they still do that in future, i.e. when vinyl has gone the way of the corded telephone? 

Regards - Steve

@williewonka 

 

”scratchy sections”… I hate that… I don’t get it. I immediately jump to something else. I really really hate it, and do not understand it. Having spent so much time and money to eliminate that sound… why would you put it into a recording… this is a real pet peeve of mine.