@dover
Well, I finally had some time to read that review (from the links that you posted previously) of various high end phono stages, written in Chinese.
I think much must’ve been lost in translation, and after reading his review of the Manley Steelhead, I’m not sure how much credence I would give to this reviewer: he specifically says that the Manley is great for large orchestral pieces, and mediocre for piano and chamber music. My experience has been the exact opposite?! Listening to piano music through the Manley Steelhead, I have a hard time not believing that the piano is in the room with me, and a concert pianist, who has listened to my system, agrees! Chamber music is equally exceptional with the combination of the Manley Steelhead and the Dohmann Helix One Mk2. (Perhaps the difference can be attributed to the NOS tubes that I'm using, as opposed to the stock tubes included in the Steelhead, or perhaps to system synergies.)
I found the reviewer’s conclusion by comparing the different phono stages to different types of idealized Chinese women quite difficult to relate to, being an American myself, but it was nonetheless intriguing.
The reviewer seemed to strongly favor the FM223, but recognized that it didn’t have enough gain for many systems. He also preferred the Trinity Phono Stage, and the Audio Note M3, although his descriptions of various advantages and disadvantages of the various phono stages was poorly worded in translation.
Nevertheless, thanks for sharing that review!