objective vs. subjective rabbit hole


There are many on this site who advocate, reasonably enough, for pleasing one’s own taste, while there are others who emphasize various aspects of judgment that aspire to be "objective." This dialectic plays out in many ways, but perhaps the most obvious is the difference between appeals to subjective preference, which usually stress the importance of listening, vs. those who insist on measurements, by means of which a supposedly "objective" standard could, at least in principle, serve as arbiter between subjective opinions.

It seems to me, after several years of lurking on and contributing to this forum, that this is an essential crux. Do you fall on the side of the inviolability of subjective preference, or do you insist on objective facts in making your audio choices? Or is there some middle ground here that I’m failing to see?

Let me explain why this seems to me a crux here. Subjective preferences are, finally, incontestable. If I prefer blue, and you prefer green, no one can say either of us is "right." This attitude is generous, humane, democratic—and pointless in the context of the evaluation of purchase alternatives. I can’t have a pain in your tooth, and I can’t hear music the way you do (nor, probably, do I share your taste). Since this forum exists, I presume, as a source of advice from knowledgable and experienced "audiophiles" that less "sophisticated" participants can supposedly benefit from, there must be some kind of "objective" (or at least intersubjective) standard to which informed opinions aspire. But what could possibly serve better as such an "objective standard" than measurements—which, and for good reasons, are widely derided as beside the point by the majority of contributors to this forum?

To put the question succinctly: How can you hope to persuade me of any particular claim to audiophilic excellence without appealing to some "objective" criteria that, because they claim to be "objective," are more than just a subjective preference? What, in short, is the point of reading all these posts if not to come to some sort of conclusion about how to improve one’s system?

128x128snilf

@prof ,

Corollary to your post, just because we don't know everything about electricity, does not mean we don't know enough for audio :-)  I see that as a frequent justification in these forums for all kinds of what I consider ridiculousness.

Corollary to your post, just because we don’t know everything about electricity, does not mean we don’t know enough for audio :-) I see that as a frequent justification in these forums for all kinds of what I consider ridiculousness.

 

A better corollary will be that just because we know everything that we can know about electricity, this does not means we know all there is to know about audio matter and experience :)

I see that as a frequent justification by some for all kind of what i consider arrogant ignorance in some audiophile forums by some, ignorance in psycho-acoustic and hearing science where subjective experience is studied seriously and taken seriously not only in his limitations but for his possibilities and performances like with trained musicians...

 

Is it not extraordinary that we must remember to some that audio is not mere electronical design but also acoustic experience and control in psycho-acoustic  science  personal and collective history ?

 

deludedaudiophile

Exactly! Very important point.

Analogy: Just because we’ve yet to reconcile quantum mechanics with general relativity, nor deduced the exact character of Dark Matter, doesn’t give me an excuse to drop a bowling ball on your bare toes as if we don’t have enough understanding of physics to understand those consequences.

A better corollary will be that just because we know everything that we can know about electricity, this does not means we know all there is to know about audio matter and experience :)

 

No, that is not a better corollary nor is it even accurate. The statement wrt electricity speaks to the ability to be able to model and measure all aspects of an electrical signal with enough detail to quantify the potential for change when converted to sound.

From my limited knowledge, those measurements are possible to much much greater accuracy and resolution than any identified or tested aspects of human hearing. Not just better, but much much better. I understand most of those tested limits are under controlled circumstances with ideal stimulus. With real music, the ability to detect is much much less. If we can test electrically to much much better than tested human limits and humans limits are much much worse with real music, then we can conclude with high confidence that our ability to test electrical signals is sufficient to indicate whether a difference will cause an audibly detected change.

I dont contest

" that our ability to test electrical signals is sufficient to indicate whether a difference will cause an audibly detected change."

This is trivial... I contest the belief that electrical signals technology is all there is to know about human hearing and ordinary human experience...

You dont seem to catch this subtle difference, so eager to accuse everyone to be deluded by his perception... Perception so deceiving it is for each of us ask to be trained, and anyway hearing cannot be even understood till this day....Why then disregarding any subjective impressions ?

Do you think that the fact that two electrically identical amplifier measured the same must sound the same is the ultime audio fact? It is trivial...

But what is not trivial is the way each one of us will interpret these same electrical signals in different psycho-acoustic conditions, acoustic circonstances and environment....

Objective and subjective attitude is a two way road...And this circulating correlation is the basis of psycho acoustic, not electrical theory by itself...

Zealot are not better than fetichist....

 

My two ears dont live in a blueprint electronical design but in my room... There is Two kind of CORRELATED science here....We cannot erase  one science for the other... We must learn how to hear, not subordinate our hearing to specs sheets...