The review wehave been promising is up


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I like point #6 the best, because that’s exactly how I feel after reading a TAS review. 

John Atkinson once advised that a good equipment review should fulfill three functions: To inform, to entertain, and to guide a purchase decision.

  1. Inform: What’s the speaker enclosure made of? What’s the DAC chipset used? How readily is the tonearm’s VTA adjusted? That kind of thing. Also, explanations from a manufacturer as to why the product’s design team made the decisions they did.
  2. Entertain: The review is well-written and fun to read.
  3. Guide a potential purchase: By reading a comprehensive review of the component from someone who has lived with it for months, a potential customer can decide if a product is worthy of further investigation.

 

"Context," in terms of other, similar products? That can be irresponsible and disrespectful of audio consumers who are capable of creating their own rankings based on their sonic priorities, as well as new product reviews. TAS makes plenty of recommendations—Editors’ Choice, Golden Ears, Buyers Guides, etc. But making a significant audio purchase isn’t like buying a dorm refrigerator after reading a survey of ten models in Consumer Reports.

We want to help you devise a short list of products, winnowed down from a larger number, we’d hope, from reading our reviews. But TAS is not going to tell you that Server A gets an A-minus while Server B gets a B-plus—and thus Server A is "better." That doesn’t serve anyone’s interest. You’re just going to have to hear it yourself, if you’ve decided you are seriously considering a new product covered in he magazine.

 

Andrew Quint

Senior writer

The Absolute Sound

 

Haven't read TAS reviews in years. Context very meaningful, and that includes all price ranges. So, if context doesn't matter, why do we even need to know rest of equipment in system review piece being inserted into. Why even bother to tell us how said equipment sounds, with no reference for sound quality why would it matter.

 

Reference or context provides us with a measurement scale which informs our equipment choices. Without that we'd be flying blind.

I don't necessarily disagree with sns and, as noted above, the magazine uses several platforms to let readers know what our favorite products are at all price points, both collectively (Editor's Choice) and individually (Golden Ears.) And references to specific competing components do make it into plenty of our reviews. But, to state the obvious, the ultimate "reference" for us is "the absolute sound"—live musical performance—and reviews that employ the descriptive language developed by TAS decades ago and that present details of a writer's subjective experience can also help quite a bit in making a purchasing decision. Please continue to sample our reviews—there are plenty of recent ones posted online.

 

Andrew Quint

Senior Writer

The Absolute Sound