A long time ago I was at Singer Sound listening to “stuff” and kibitzing with the sales guy. Might have been the estimable Mr Guttenberg. I listened to the very expensive, at the time, ML (CLS model). A solo piano record was played and I was stunned. It sounded like the piano was in that room with us. A musician myself, I know from piano sound.
This was followed by my request for some rock. I believe it was a Stones record and what immediately struck me was how not so good it sounded. The speaker just couldn’t deliver the immediacy and clarity I was expecting.
I also lived through what I call the “boom and sizzle” period where many speakers were voiced to deliver earth shaking bass and “sparkly” highs. Little mid range. If it was there it was obscured by the high low emphasis. These could be very impressive at first listen. Wow listen to those cymbals that bass!
I settled in with a pair of Snell Type D’s. Due to room changes I moved onto Revel M20’s (Stereophile class A …lol) on stands. I still listen to them. Classical, Jazz to Rock to EDM.
I sit pretty near field. They “handle” every musical style. Getting the timbre the rhythm and pacing, the palpable force of the instruments/music.
I firmly believe that amplifier/speaker/room are critical. There are trade offs. I can’t expect the same volume and sound pressure delivery of the Philharmonic, A jazz trio, a Stones concert or a rave. I get the basics of good sound/music reproduction.