Krell anticipator circuits of the 1990s


"Krell FPB-600 Stereo Power Amplifier

This big power amp features the evolution of the plateau biasing circuit introduced in the KSA series of amps. This circuit anticipates the power demands of the output by monitoring the incoming signal as the demand for power increases, the more power the amplifier supplies. After a grace period of fifteen seconds and no additional high current signal demands, the Krell FPB-600 amplifier returns to its appropriate power setting. This feature allows for Class A bias output without all the wasted electricity and heat."

Do you believe the anticipator can up the bias quickly enough?  A guy hits a huge bass drum, the anticipator circuit senses this and ups the bias in time for the hit to be amplified in Class A?

We are talking a micro second.  Once he hit it the start of the moment was over.  This was a con.  Created by Krell because they were under pressure from the emerging green lobby to cut power consumption.  Qualified Krell service engineers have not been able to explain to me how it can work.

Me?  I still have my KRS200s.  Pure Class A.  So there's my answer.

 

128x128clearthinker

The bias is always in class A unless you exceed a certain temperature, then the top two bias levels stay in class A/B until the temperature drops. 

Based on the way this circuit works, it should easily be able to keep up with a low frequency dynamic spike. By the time the waveform returns to the zero crossing, the bias will have been adjusted so the other half of the output transistors are biased into class A. I would expect this would even be the case for a high frequency spike unless the designer intentionally prevented this. 
 

@charles1dad - yes, I use both of these amps with the same speakers. The speakers are fairly efficient at 92-93db/w and are augmented by powered subs which handle up to about 70hz. So the 15w PSET amps play plenty loud. 
 

the Pass amps have a bit better control over the mid bass and are perhaps just a bit more detailed, but the tube monoblocks sounds more engaging with a deeper and broader sound stage. After going back and forth a few times, I have only been listening to the 300B amps and the Pass amps are tucked away in their boxes. I’m trying to decide whether I should sell them. 

@jaytor 

Thanks for your reply and I understand your predicament. Once heard, engagement is very hard to do without.

Charles

I’m sure the circuit can keep up with any musical dynamics, you may have an argument on if it sounds better than straight up class A because of the added circuitry, but there is no way to compare it unless someone comes up with an amp with a switch from this to straight up class A.

@invalid    What makes you sure the circuit is fast enough?  What evidence do you have?  I know of no evidence that has been published?

Of course it can be compared in the same way any alternative components are compared.  Listen to one, then the other.