What is the “World’s Best Cartridge”?


I believe that a cartridge and a speaker, by far, contribute the most to SQ.

The two transducers in a system.

I bit the bulllet and bought a Lyra Atlas SL for $13K for my Woodsong Garrard 301 with Triplanar SE arm. I use a full function Atma-Sphere MP-1 preamp. My $60K front end. It is certainly, by far, the best I have owned. I read so many comments exclaiming that Lyra as among the best. I had to wait 6 months to get it. But the improvement over my excellent $3K Mayijima Shilabi was spectacular-putting it mildly.

I recently heard a demo of much more pricy system using a $25K cartridge. Seemed to be the most expensive cartridge made. Don’t recall the name.

For sure, the amount of detail was something I never heard. To hear a timpani sound like the real thing was incredible. And so much more! 
This got me thinking of what could be possible with a different kind of cartridge than a moving coil. That is, a moving iron.

I have heard so much about the late Decca London Reference. A MI and a very different take from a MC. Could it be better? The World’s Best? No longer made.

However Grado has been making MI cartridges for decades. Even though they hold the patent for the MC. Recently, Grado came out with their assault on “The World’s Best”. At least their best effort. At $12K the Epoch 3. I bought one and have been using it now for about two weeks replacing my Lyra. There is no question that the Atlas SL is a fabulous cartridge. But the Epoch is even better. Overall, it’s SQ is the closest to real I have heard. To begin, putting the stylus down on the run in grove there is dead silence. As well as the groves between cuts. This silence is indicative of the purity of the music content. Everything I have read about it is true. IME, the comment of one reviewer, “The World’s Best”, may be true.
 

 

mglik

@arro222

Well, the distributor wants his cut. So does the dealer. When they say 40% markup, they mean 40% of the selling price, so it’s actually a 66% markup. To be fair, each has his own costs and it’s not all gravy, especially the retailer.

Then there is marketing. Only a few can get by with no marketing at all. But they have proprietary designs and proprietary skills and proprietary parts. For example, there was only one source of small exotic platinum magnets with a highly uniform magnetic field. They were made in quantity for MRI machines. When the factory closed, one alert client scooped up the world supply. That was Koetsu, so they alone have platinum magnets.

Speaking of Koetsu, their top cartridges also feature aged rosewood bodies, or stone bodies (which are prone to shatter during manufacturing), and diamond cantilevers. Then it is fair to say that the highly skilled labour isn’t cheap, and that many examples, from parts supplied to them to finished product, are substandard and need to be discarded.

We all asked the same question about HP tubes, back in the day. Thing was, we could buy a 6922 (tube) for $3, but a 6922 from HP was $30. Little did we know that the HP tube was a bargain: it was later said that HP bought the tubes by the pallet and discarded 98% straight into the dumpster. The same MAY be true of the best cartridges, not that we’ll ever know.

So you pays your money and takes your choice.

 

 

Oh, and don't let anyone tell you that digital is the standard. If digital were perfect, then all digital products would produce that same perfect sound. They don't. QED.

From Mono and Stereo 2022 talking about the DaVa, "a unique sound with startling realism."

There is only one realistic sound. Everything else including "unique" is not. I have not listened to the DaVa Reference and probably never will. I find it’s design clashes with my own perception of physics. I have listened to DS cartridges and did not find them exceptional, exceptional enough to get invested in the electronics. However this was not in my own system but in systems that were significantly inferior. I have listened to the Soundsmith Strain Gauge and it was very enticing, a little too enticing which I think was due to it’s inherent brightness. In the end I decided not to buy one. It also has trouble contending with higher groove. velocities.

Another point that I would like to make is that you have to be very suspicious of any component that stands out sonically in dramatic fashion. It is likely to be very colored, not realistic but surrealistic. I have gone down that road in the past and in every case tired of the sound with more experience.

@mijostyn

i have a long held process to judge my sources, including my turntables and cartridges, and that is RTR tape with my Studer A-820’s and King Cello tape repro. as those have stayed constant for now.......15 years, it’s a reference hard to surpass. my vinyl has certainly gained on the field of my master dub collection over the years.

the DaVa Reference is not some alien sound from outer space. it’s ’like’ my Etsuro Gold cartridges, and my tape. it’s music, and is able to attain ’suspension of disbelief’ frequently. very immersive and engaging. it has it’s own outstanding "musical" qualities for sure. i hope you do get to hear one.

i fully respect that we all view methods of technology for ourselves and have a right to our opinions about it.

Dear @lancelock and friends: I forgot to post a critical and important issue on those cartridge designs.

 

The optical DS design has a huge advantage over any other cartridge designs including the field coil and that advantage is that is and sense amplitude and not velocity as the other cartridges.

Senses amplitude means lower distortions against any velocity normal cartridges as the ones we all know.

@lancelock you was the only owner of DS cartridge that posted here and you own the top model that comes with diamond cantilever ( not that " scientific " cactus material in the DaVa. I would like to ask the designer if he knows which the " young Modulus " for that cactus choice material. I said this with " irony " because DaVa manufacturer speaks of science. ) and micro ridge stylus shape an even that I never had the opportunity to listen DS cartridges I’m with you with what you posted:

 

""" I just can’t believe it gets any better than this. Absolute joy to listen to. """

Congratulations to be an owner of it.

 

R.

Didn’t realize Koetsu’s went up to 20k. A quick Google search found this.  

@rsf507  That's with the diamond cantilever +$5K add-on option. That pink Rhodenite stone is also now discontinued, along with Coralstone (ran out of material). The standard boron models still top out at 15K or 16K (for Blue Lace), which they have been at for many years now.

Anyways, the large premium on certain stones seems to be thanks to the regional distributors more than  Koetsu Japan. And a more "pedestrian" RSP or Onyx with boron cantilever still sounds exceptionally good and embodies the full Koetsu sound (for that matter the Urushis probably do too - I want to try one). They all have the same motors inside.