Audio Science Review = "The better the measurement, the better the sound" philosophy


"Audiophiles are Snobs"  Youtube features an idiot!  He states, with no equivocation,  that $5,000 and $10,000 speakers sound equally good and a $500 and $5,000 integrated amp sound equally good.  He is either deaf or a liar or both! 

There is a site filled with posters like him called Audio Science Review.  If a reasonable person posts, they immediately tear him down, using selected words and/or sentences from the reasonable poster as100% proof that the audiophile is dumb and stupid with his money. They also occasionally state that the high end audio equipment/cable/tweak sellers are criminals who commit fraud on the public.  They often state that if something scientifically measures better, then it sounds better.   They give no credence to unmeasurable sound factors like PRAT and Ambiance.   Some of the posters music choices range from rap to hip hop and anything pop oriented created in the past from 1995.  

Have any of audiogon (or any other reasonable audio forum site) posters encountered this horrible group of miscreants?  

fleschler

"A lot of reviewers on the web lacked the knowledge but everyone believed them because they were charismatic and sounded knowledgeable."

- Shocker!

I read through and heard some of Erin's reviews and found them to be superbly informative in both objective and subjective factors.  His Dutch & Dutch 8c and Revel PerformaBe F226Be were his favorites and the latter, an inexpensive great speaker.  His Vandersteen 2 speaker evaluates it for it's time and inferiorities.  I only want him to evaluate higher end speakers.   It is unfortunate that his site is not Absolute Sound or Stereophile where the manufacturers are throwing samples at reviewers (or other on-line reviewers such as Positive Feedback, Enjoy the Music or SoundStageUltra for example).  I suspect that the Magico, WIlson, Rockport, YG, Von Schweikert, Magnapan, etc. would measure well but I'd like his report instead of John Atkinson's and his subjective opinion(s).  

Below is a great review, both objectively (measurements) and subjective (listening). Plus a very detailed description of all the technical aspects. To me, this is how all reviewers should be in the perfect world. A little outdated in terms of current pricing of the speakers.

 

And before you slam me about posting Audioholics stuff, note this NOT a “review “ from that clown Gene 😂

You are correct. Audioholics speaker reviews by Feinstein are excellent and include moderate priced high end products. He ended up with my second system speaker, the newest version of the Legacy Signature SE.

I think it is interesting to see measurements and compare them with subjective impressions, especially my own. If something sounds pleasing to me, or doesn't, I'd like to learn more about why that is whenever possible. What parameters of sound reproduction really matter to me?  If it turns out it is added distortion that I like, that's good to know! What bothers me is when a claim is made that something sounds good because it doesn't have some particular distortion when measurements clearly show that it does. That claim needs to be reconsidered. They should just say it sounds really good for some reason and it's added distortion. I for one think that any added distortion like that should be on the recording itself, or in an effects box that can add it or subtract it to each listener's desire. Ideally dacs, streamers, amps, preamps and the cables connecting them should all sound neutral and the same. That's my ideal. That part should be under control and a known quantity. I think it is not only possible but is actually frequently achieved by moderately priced equipment that is properly engineered. I know some people will swear up and down that they can hear a difference between all these inexpensive devices but I'm convinced it is a lot harder than they think when they don't get to know which device they are listening to. Neutral may not sound the way people want it to and that's fine. From there they can adjust using known parameters which are repeatable using an effects box with adjustments. Mixing and matching using cables, amps, and sources as effects boxes on purpose is a really messy, uncontrolled and expensive way of solving the problem. But if people enjoy that method or feel it's unavoidable because of their hearing abilities I'm not going to tell them to stop. I agree that ASR puts an awful lot of weight on measurements that are way beyond audible. But that fact it is mentioned and acknowledge frequently on the forum, even by Amir himself. Some people want to see where the state of the art is, and it is amazing how quiet and distortion free they can make equipment even at very moderate prices these days. If anyone can show new measurements that reveal how the expensive equipment is really outperforming the moderately priced stuff I'm very open to it. If some amp or streamer or other electronic audio device is readily preferred by a vast majority of listeners under blind testing but there's no measurement known to indicate why, that would be fascinating. Nothing of the sort is going on out there that I know of.