What is the best tonearm for a SOTA Nova turntable?

The ET2 has no gimbles to wear out or loosen up. It is air bearing and that's one of its pluses. I can sling some solder but my eyes are so bad, I couldn't see those tonearm wires to solder them. Melting away the insulation is trouble as well.

My new cartridge arrives in a few days and I'll report back about it. That will determine my next move.

I used an ET2 on a SOTA Star Sapphire until around 2009. Still one of my favorite analog rigs I ever owned or heard. Anyone that had an issue with the ET2, obviously did not have any experience using or setting one up. Over 10 trouble free years for me! 

Re Mijostyn’s advice on purchasing a current driven phono stage:  (1) That’s a fine idea if you plan to limit yourself to LOMC cartridges with internal resistance preferably less than 12 to 15 ohms, the lower the better, and (2) my own experience with a BMC MMCI ULN Signature phono stage suggests it is superb but not necessarily better than high end voltage driven phono stages with high gain, for listening to the aforementioned LOMC, low internal R cartridges. Not inferior but also not definitively superior.  In a final attempt to be absolutely clear, I don’t hear anything that tells me current drive is going to take over the universe.  But it will assume an important place therein.

My Kiseki purple heart cartridge arrived this afternoon. I hope that it lives up to its reputation. I'll mount it and do some listening tomorrow.

I've been browsing used turntables, and rebuilding my Sota nova for $3000 is looking better. Tonearms are pretty pricey as well. I considered a VPI. I saw a VPI Prime 21 3d gimbaled tonearm with tonearm weight for $3650. It's tempting to go for something new but I'm somewhat attached to my linear tracking arm with an air bearing suspension. 

I guess it all depends on how the new cartridge sounds.

Has anyone here some experience with VPI tables?

Cheers,

John

Re Mijostyn’s advice on purchasing a current driven phono stage:  (1) That’s a fine idea if you plan to limit yourself to LOMC cartridges with internal resistance preferably less than 12 to 15 ohms, the lower the better, and (2) my own experience with a BMC MMCI ULN Signature phono stage suggests it is superb but not necessarily better than high end voltage driven phono stages with high gain, for listening to the aforementioned LOMC, low internal R cartridges. Not inferior but also not definitively superior.  In a final attempt to be absolutely clear, I don’t hear anything that tells me current drive is going to take over the universe.  But it will assume an important place therein.

@lewm agree.
However I do find it compelling that the cartridge, and dynamic microphones, are Maxwell like in that the one generates a current by a magnetic field changing within a coil.
And the speaker is the inverse of that.
So it seems, totally on the kindergarten surface, like it should be current based amplification from one end to the other.
But then Ohm’s law sort of says that we can do it by envisioning it using voltage.
(that is an aside)

My Kiseki purple heart cartridge arrived this afternoon. I hope that it lives up to its reputation. I'll mount it and do some listening tomorrow.

I've been browsing used turntables, and rebuilding my Sota nova for $3000 is looking better. Tonearms are pretty pricey as well. I considered a VPI. I saw a VPI Prime 21 3d gimbaled tonearm with tonearm weight for $3650. It's tempting to go for something new but I'm somewhat attached to my linear tracking arm with an air bearing suspension. 

I guess it all depends on how the new cartridge sounds.

Has anyone here some experience with VPI tables?

Cheers,

John

No VPI experience. But if you like your SOTA, then let’s see how the Kiseki works, and decide later-like you mentioned.