What is the best tonearm for a SOTA Nova turntable?


I haven't played an LP for a while now. I've moved from CD's to streaming both Tidal and my own rips from a Roon Nucleus plus. My SOTA Nova with an ET2 arm has been sitting idle along with hundreds of high quality LP's. I've heard that the ET2 is not a good match with the SOTA, and may be the weak point in my analog chain. (SOTA-ET2-Lyra Kleos -Allnic 1201 phono stage- ARC Ref6- PS Audio-BHK300 amps-Reference 3a Grand Veena speakers and unnamed sub system. 

My digital system with a Holo May DAC and Roon with HQP trounces the analog system pretty soundly.

I'd like to resurrect the analog system as I have read that I'm missing out not using it.

My question is, where can I make the most improvement for the least cash outlay?

I'd like to keep the SOTA table, but everything else is expendable.

Thanks in advance for some help.

-John

gyneguy225

@gyneguy225 , cartridges are balanced devices! All you have to do to use a balanced phono stage is solder XLRs to your tonearm wires. It would take me about 15 minutes. The only arms you can't do this to in my knowledge are the Rega arms. 

The Kuzma is $4,000, the Schroder is $5000 and I am not sure what a current SME is going for. There are many used SME V's now on the used market but I would not buy a used arm. Bearings are too easy to damage and significant bearing damage can be very hard to detect. As an example, If a turntable travels by car ANYWHERE without first removing the arm and placing it in a box where all of it is supported in foam (the original box) the bearings have been damaged. 

The ET2 has no gimbles to wear out or loosen up. It is air bearing and that's one of its pluses. I can sling some solder but my eyes are so bad, I couldn't see those tonearm wires to solder them. Melting away the insulation is trouble as well.

My new cartridge arrives in a few days and I'll report back about it. That will determine my next move.

I used an ET2 on a SOTA Star Sapphire until around 2009. Still one of my favorite analog rigs I ever owned or heard. Anyone that had an issue with the ET2, obviously did not have any experience using or setting one up. Over 10 trouble free years for me! 

Re Mijostyn’s advice on purchasing a current driven phono stage:  (1) That’s a fine idea if you plan to limit yourself to LOMC cartridges with internal resistance preferably less than 12 to 15 ohms, the lower the better, and (2) my own experience with a BMC MMCI ULN Signature phono stage suggests it is superb but not necessarily better than high end voltage driven phono stages with high gain, for listening to the aforementioned LOMC, low internal R cartridges. Not inferior but also not definitively superior.  In a final attempt to be absolutely clear, I don’t hear anything that tells me current drive is going to take over the universe.  But it will assume an important place therein.

My Kiseki purple heart cartridge arrived this afternoon. I hope that it lives up to its reputation. I'll mount it and do some listening tomorrow.

I've been browsing used turntables, and rebuilding my Sota nova for $3000 is looking better. Tonearms are pretty pricey as well. I considered a VPI. I saw a VPI Prime 21 3d gimbaled tonearm with tonearm weight for $3650. It's tempting to go for something new but I'm somewhat attached to my linear tracking arm with an air bearing suspension. 

I guess it all depends on how the new cartridge sounds.

Has anyone here some experience with VPI tables?

Cheers,

John