For just a bit more, you might take a look at Pure Fidelity, a small but top notch Canadian company https://purefidelity.ca/
I had their Harmony model and truly enjoyed everything about it until I made the jump to my Palmer.
Turntables
Hey all! I've been circling a Rega P10 turntable, which is their latest iteration. It has gotten great reviews by Rega afficionados, but not much notice from the TT community at large, that I can find. It's a deviation from the conventional thinking that mass=stability, and quiet. It is very lightweight, but stiff. I like unconventional, and am willing to take a leap, though. Question is, of course, has anyone had any experience with these TT's and what thoughts do you have? (Michael Fremer at Analog Planet did a 5 part video of the Rega factory with Roy Gandy a couple of years ago and I have to say I was really impressed by his devotion to his art and his conviction about the direction Rega has taken with its TT's.)
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Yes and no - they have their place, but I think the VPi is not a great one - I have a Naim Aro in my collection of arms which is excellent. Hadcock is another bang for your buck - though strictly not a unipivot, it uses nested balls. Graham is quite good, though I chose the Aro over it. In the UK there are a number of unipivots that outperform the VPi at a modest cost - Roksan Nima, Audio Origami, Javelin, Vertere to name a few. |
Do yourself a favor: check out the Music Hall Stealth. $1650; comes with an Ortofon 2M Blue but features interchangeable head shell; on the fly adjustable VTA; direct drive and auto-stop. I'm sure a lot of folks will say it's too cheap to be any good and tout $5k+ tables instead. But if you're not made of money, the Stealth is a good choice. |
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