She couldn’t believe how George Winston’s Steinway sounded. She said she’s never heard a Steinway reproduced that close before. BTW she has a Steinway Grand in her home.
This is very interesting to me, as when I was asked early on to describe the differences between my Aqua La Scala DAC and my previous Denafrips Pontus II, I said this:
...one particular thing that immediately grabbed my attention is how piano is reproduced. It was not something that was on my mind at all, so no expectation bias involved, yet across genres, all of the well-recorded piano music seemed much more natural and detailed than what I have previously experienced. It may well have something to do with the clock, and more accurate decays, as that is something that crossed my mind with the reproduction of other instruments, as well. But whatever the exact explanation, having had the experience, it seems that in retrospect I have typically been listening to piano as almost a generic, background instrument, lacking fine definition, and I now suspect that going forward it might be a particularly important and useful focal point when auditioning any DAC, and/or speakers.
FWIW, I listen to the La Scala with a C.E.C. TL-15 CD transport, and Circle Labs A200 hybrid integrated amp, through a pair of FinkTeam KIM speakers.