The room and speaker position is critical and Soundstage can be vastly improved through 1) digital room correction (e.g., Dirac) and 2) going with active speakers (e.g., Linn)
Bookshelf speakers that renders 3D soundstage
Recently I am on a quest to find a pair of bookshelf speakers under $2k that will render 3D soundstage. The soundstage does not need to be much wider than the speakers that are approximately 7-8 ft apart but, within the soundstage, I am particularly looking for the decent depth, focus image and pinpoint instrument/vocal separation. The other sound trait I am particularly looking for is the nimble, agile bass that could go down to around 45 Hz -3dB. The pairing amplification is going to be Parasound A23. If you have experienced / auditioned that, please let me know.
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I third what "tapp" said....with emphasis on stands. Dampened stands and KEF bookshelf speakers paired with dual subs will certainly create that 3D presentation you are looking for. I use steel 4-post stands, with all posts filled with damping material. The speakers "disappear" when set up properly. |
I've had several monitors "disappear" in various rooms and setups. A/D/S L500s did it in the mid-70's, Morel M202s in the 80's, Boston Acoustics VRM50s in the 90's. All had 6" to 8" woofers and 1" domes, some soft and damped, some hard and metallic. All were on sturdy metal stands away from room boundaries in well proportioned spaces. For $2K/pair, the BMR Monitors are what I'd look at, but the GR Encore XLS maxxed out would also interest me. For much less, if you're a DIY guy, the Morel Ardon kit from Parts Express ($800.00/pair + veneer = well under $1K) is a textbook monitor. |
Here's another direction I built these and love them http://www.troelsgravesen.dk/BOOKSHELF-3WC.htm Took some time, but they are everything I want in a bookshelf system, detailed, fills the room with music, and on and on. |
Again, thank you everyone taking your time to provide me valuable inputs. Really appreicated. The BMR Monitors seem to be one of the faves but the coveat of glare around 2 kHz and the compression / wide radiation traits mentioned by Erin bothers me a bit. In addition, I am also looking at both highly raved S400 Mk ii and S300 Mk ii from Buchardt as mentioned by @vthokie83. The company also announces a more affordable new addition, P300, that is essentially a stripped down version of S400 Mk ii with less quality x’over and half warranty period (5 yrs). Since no reviews are available, I am hesitated to act in good faith. Plan to order both BMR and Buchardt for home auditioning and pick one. |
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