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What is the “World’s Best Cartridge”?

I believe that a cartridge and a speaker, by far, contribute the most to SQ.

The two transducers in a system.

I bit the bulllet and bought a Lyra Atlas SL for $13K for my Woodsong Garrard 301 with Triplanar SE arm. I use a full function Atma-Sphere MP-1 preamp. My $60K front end. It is certainly, by far, the best I have owned. I read so many comments exclaiming that Lyra as among the best. I had to wait 6 months to get it. But the improvement over my excellent $3K Mayijima Shilabi was spectacular-putting it mildly.

I recently heard a demo of much more pricy system using a $25K cartridge. Seemed to be the most expensive cartridge made. Don’t recall the name.

For sure, the amount of detail was something I never heard. To hear a timpani sound like the real thing was incredible. And so much more! 
This got me thinking of what could be possible with a different kind of cartridge than a moving coil. That is, a moving iron.

I have heard so much about the late Decca London Reference. A MI and a very different take from a MC. Could it be better? The World’s Best? No longer made.

However Grado has been making MI cartridges for decades. Even though they hold the patent for the MC. Recently, Grado came out with their assault on “The World’s Best”. At least their best effort. At $12K the Epoch 3. I bought one and have been using it now for about two weeks replacing my Lyra. There is no question that the Atlas SL is a fabulous cartridge. But the Epoch is even better. Overall, it’s SQ is the closest to real I have heard. To begin, putting the stylus down on the run in grove there is dead silence. As well as the groves between cuts. This silence is indicative of the purity of the music content. Everything I have read about it is true. IME, the comment of one reviewer, “The World’s Best”, may be true.
 

 

mglik
richardkrebs
422 posts
 

Obviously this is an impossible question to answer in absolute terms. None of us have heard all the possible contenders.  But...In your opinion, what is the best cartridge you have heard?'  That can be answered. 

I have recently started using a SS Hyperion II. In one of Peter's lectures he talks about cartridges sampling the record groove as the stylus bounces from wall to wall. He claims that his designs stay in contact with the groove more of the time. I now understand what he is saying. With the benefit of hind sight ( hind hearing), every system I have listened to sounds like the stylus is scratching its way thru the grooves, shaking as it progresses. The Hyperion sounds like it is lubricated and just slides smoothly along. This characteristic is at first disarming and then so darn, obviously right. This is definitely not to say that it smooths out the sound. It has micro definition in spades, little details are revealed in all their thrilling glory. It also scares you with how dynamic it is, how present it is and how it conveys the emotion engraved in the record. Goose bumps, tears, smiles, joy. To me this is why we play this game.

Another test is how different do various records sound from others. Here again the Hyperion excels. One record can sound shrill and brash another dull and muffled. This strongly implies that it is getting out of the way and reveling honestly what is on the record. 

It tracks superbly.  

The best cart I have ever heard, 

Cheers

terry9
2,317 posts
 

@richardkrebs Thank you for your review of the Hyperion.

@aj523  Why do you like yours? How would you characterize the sound? Comparison? Thanks!

 

dover
2,229 posts
 

@terry9 

The Hyperion description from @richardkrebs is similar to what I've heard.

The SS strain gauge cartridges take it up another notch.

From the Paua up the SS are superb on classical.

Not the best cartridge I've heard - but very good. I've heard quicker, more dynamic, more resolving.

On the other hand I have heard some of the current top of the line contenders that have obvious flaws in my view.  The SS are like Spendor speakers - they just get out of the way and let you listen in to the music. Beautifully balanced.

Tracking is very much a function of arm cartridge matching and set up as it is the actual cartridge. The fact that SS can tailor the cartridge to your arm is a bonus.

terry9
2,317 posts
 

@dover  Thank you very much! I'm looking to get another cartridge to complement my diamond Koetsu. Front runners at the moment are Grado and DaVa. What ARE the best cartridges you have heard, and why?

I know that's a lot to ask, so please don't bother if you're busy.

My DIY air bearing tonearm is pretty flexible - wands are easily replaceable and can be made to fit the cartridge.

mikelavigne
2,194 posts
 

now an 8 month wait for a DaVa, wait getting longer all the time. and as it’s sold direct it’s a steal at the price. best approach is to order one, then when it comes in, easy to sell it to those on the wait list, if it does not float your boat.....or you like something better.

i find the DaVa the perfect compliment to my diamond tipped Etsuro Gold.

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