What is Your End Game System?

I like the race car analogy.

To make it faster and better there are hundreds or thousands of elements.

As with a stereo system.

Can a destination system be attainable? Or will “audiophilia” prevent this?

In retirement, my system has become central. 4 hours of vinyl and 4 hours of 2 channel HT. Cool “job”.

Recently “coming home” to Quad 57s, there is a search for the “right” amp.

This also brought up upgrading my analog front end.

The end is not quite in sight, but maybe close?

p

FWIW, I just added the before and after calibration measurements of my system in my profile/virtual system if anyone is interested. The calibration software was the paid upgrade for Audyssey Pro license and the necessary calibrated mic which is on a totally different level than the software and mic that comes with the unit when you buy it.

I like the race car analogy.

@mglik the race car analogy is good.
…most people want to spend money on every part for just a chance of speed, and fewer spend the money on the driver training, which can be applied to any vehicle that they get into.

@kota1 mentioned measuremen@ghdprentice mentioned speaker placement. These are the overlaps with race car analogy.
Until a driver is consistent, it is a waste of time to use their lap times as a metric for speed improvements.

The other overlap is trying to use money to make up for skill… which might be akin to using ICs to make up for system deficiencies?

@mglik , are you considering monoblocks for the Quad 57’s? I am not an amp expert but the reviews on the Van Alstine DVA M225 monoblocks seem to say that it hits way above its price. It has a preamp that is designed for it, the DVA Digital preamp.

"Gentleman, start your engines": :)

I’m new to the game but I did a ton of research and I ended up with a tube amp and a streaming dac plus my Klipsch Cornwall IV’s. I’ve been loving it. As long as the original recording doesn’t suck this system delivers. Great recordings sound amazing. As good or close enough to anything that I have heard at audio shows. And the reaction of people when they come over and listen. Friends and family jamming until the wee hours with smiles on their faces. And with a clean recording such as Child in Time from the Made in Japan album, I can literally play the music so loud that it will annoy my neighbors. All of that checks a lot boxes. And I an finishing a room upstairs just for listening. The space where I am setup now is far from optimal so things should get better. There will always be something new or different or intriguing. But I don’t intend to endlessly pour money into this hobby. I’m pretty close to endgame. I wanted a massive, room dominating sound that was clean and clear and nuanced when needed. I’m there.