VPI HW-19 with Graham 1.5 arm Question/Suggestions


Greetings everyone, 

I have a very handsome, black oak, late model VPI HW-19 Mark IV with a black Delrin Aries platter.  The tonearm is a Graham 1.5 Basic tonearm sporting a Benz Micro MC Gold cartridge with elliptical stylus.  The tonearm cable is Audio Art IC-3 Classic phono cable DIN to RCA.

The sound is good but rather lightweight, neutral and nimble but polite, one might say meek with tight but lean bass.  It is not strident or shrill, or analytical, or bright.  Most of the turntable and phono upgrades I read about suggest that they will make the sound have more clarity, be more precise, more accurate, tighter, and lower the noise floor.  These qualities are not necessarily what I want. 

I would like the sound signature to be warmer, fuller, richer, more colorful, or more romantic.  

I am considering many options, including new phono cable, new footers, a platter mat (presently records sit directly on the Delrin platter), a different record weight-stabilizer (presently using a VPI Delrin screw-down clamp), a new shelf, and of course a different cartridge.

I welcome any suggestions from anyone on how to warm up or enrich the sound quality.

hoodjem

Your bass is light because of the tonearm. You need a new one with proper two axis bearings. Great arms include the SME V, Kuzma 4 Points, Schroder CB, Tri Planar, Reed 2G and others. The more recent Grahams have magnetic stabilization but IMHO are prohibitively expensive for what you get. The above listed arms are a far better value. I am not familiar with your cartridge. If after changing arms you still are not happy I would exchange the cartridge for one with a more modern stylus profile. 

mijostyn,

I have heard the arms you mention, and I have heard setups using these arms that did indeed sound very good.  But, I would not make the generalization that a two-axis arm is superior in regards to bass reproduction (implying that uni-pivots are inherently inferior in this regard).  As you noted, Graham makes a stabilized uni-pivot and so does Basis, and I think both are pretty good arms.  If I had to pick a pivoting arm that had the biggest bottom end (and a very warm sound), it would be the Moerch Anisotropic arm, which is a uni-pivot arm with a low vertical effective mass but a very high horizontal effective mass that is specifically designed to be good at bass reproduction.

@hoodjem 

The standard loading options on the Rowland are not optimal for this cartridge - ranging from 10-185 ohms or 47k.

The Benz has an internal impedance of 40 ohms - although 47k should be ok you might want to try 400-1000 ohms for this cartridge. I know the Benz range well.

You can do this with the Rowland - turn off all the loading switches and insert resistors in the internal loading socket internally next to the dip switches designed for this purpose - check your manual.

The Benz and Rowland I could see how one could describe them as polite - but not lacking in bottom end - I have heard both components. - for a few dollars buy some 400, 800 and 1000 ohm loading resistors then reassess.

 

Thanks for all these suggestions and recommendations. 
 

I am keeping a lengthy list, and will start with the simplest, easiest, and cheapest.

 

Any others?  (Keep 'em coming.)

Just two points from here:

Your physical set up seems good enough.  Others may advise about the quality of the phono pre you're using.  It could be that a change here will do the job. You can probably try some with a return privilege.

I do not agree about fooling with VTA/SRA.  VTA is not a tone control.  There is one correct setting for the max information off of a disk.  I suggest you look elsewhere for tonal balance.