Cartridges


Is it better to upgrade to an ultra premium cartridge or to buy the premium records such as hot stampers and the like?

hysteve

the problem is not only the cost of great pressings, but the shoe leather it takes to find them. and how to know condition without buying 5 or 6 to find a quiet one. putting together a great collection of vintage early pressings is borderline impossible unless you can buy a collection already already curated.

so buying a great cartridge and buying easier to source new and more available used is more real world for someone starting out. you still get great sound.

but if given a choice, i would rather have great vintage original pressings and a modest cartridge than a great cartridge and new pressings. but it’s not a choice most of us can ever make.

i would caution anyone jumping into the Tom Port 'Hot Stamper' cauldron blindly without first doing their homework. and knowing what is what takes time and effort.

i would rather have great vintage original pressings and a modest cartridge than a great cartridge and new pressings.
 

+1 there’s your answer 

For *me*, based on your post, I would definitely drop the cart high bar to where I mentioned and focus on building record collection up. My 2c

I only have 1 expensive record. It is Steely Dan Aja (Cisco) and came from discogs. They were asking 850 for an unopened copy, but I got a used copy, I think they labeled it mint with near mint cover, for 400. I really did it as an experiment to see if there was anything to quality in different pressings. It really is different. I can turn it up as loud as I want with no fatigue at all. And it is super quiet. Sometimes I do visit the hot Stamper site out of curiosity. Just the other day I saw a Led Zeppelin copy there for $2500! I won’t be getting one.

I own probably a dozen reissues and over 1000 original vintage LPs from the 60s and 70s. To my ear the originals sound so much better than the re-issues but that’s just me. Having said that because this post is about cartridges I recently upgraded to an Ortofon 2M Bronze, and I am shaking my head at the amount of detail coming off of these old LPs. Background instruments, and singers and other detail I never knew existed. I’m not sure what would be gained by having anything better on my vintage Thorens, TD 145 and that cartridge was a bit less than 500 bucks.  I would have to think the law of diminishing returns sets in fairly quickly as the cost starts to rise over this level.