All good suggestions. I’m trying to think of only TWO songs that can provide all of the following:
1. Dynamics.
2. Soundstage and imaging.
3. Frequency response.
4. Bass textures.
5. The critical midrange - female and male vocalists and most instruments sounding natural.
6. Top end clarity and air without harshness.
This is fairly hard to do. I can think of numerous songs that test one or the other, but not all of these qualities. But it is a good exercise for those lucky enough to actually have a bricks and mortar store nearby so we can hear amps, speakers, streamers and such before making a purchasing decision. While many stores will entertain you playing a couple tracks they’d likely not let you listen for an hour - unless you kick them some $$ in upfront "good faith" money, which isn’t a bad idea anyway for their time and trouble.
Funny that no one mentioned Cheapaudioman Randy's test track of choice, Tool's "Chocolate Chip Trip" for soundstage and imaging.
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@mjmcubfn Tidal’s search is just as bad. Leave out anything and it won’t find it. They really do need to incorporate a level of "intelligent closeness" and offer suggestions better. And oftentimes I do better by searching for the song title rather than the artist. |
Because I’m non-conformist:
- Baaba Maal, Mansour Seck, Djam Leelii (space, middle to hi end) - Ry Cooder, Ali Farka Toure - Talking Timbuktu (overall) - The Doors - Roadhouse Blues (bass) - Richard and Mimi Farina - Joy Going Round My Brain (vocal and harmonica duet details) - Paul Robeson - Deep River (THAT voice!) - The Moody Blues - Tuesday Afternoon (atmosphere) - The Moody Blues - Thinking is the best way to travel (special effects) - Fennel - Hi-Fi A La Espanola on Mercury Living Presence (that Mercury sound) - Max Roach with Abbey Lincoln - We Insist (abbey’s voice, the snare) - Mahler - 5th - von Karajan (Adagietto, the cellos) - Bruce Springsteen - American Skin (separation of the 4 voices, crowd ambiance) - Led Zeppelin - The Battle of Evermore (For the interplay between Robert Plant’s and Sandy Denny’s voices) - Tito Puente - Ran Kan Kan - the 12” 45rpm version (for slam) - Laura Nyro - Tom Cat Goodbye (quiet and dynamics) |
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