What Does It Take To Surpass A SME V?


Thinking about the possibility of searching for a new tonearm. The table is a SOTA Cosmos Eclipse. Cartridge currently in use is a Transfiguration Audio Proteus, and it also looks like I will also have an Ortofon Verismo if a diamond replacement occurs without incident. 

The V is an early generation one but in good condition with no issues. Some folks never thought highly of the arm, others thought it quite capable. So it's a bit decisive. 

The replacement has to be 9 to 10.5 inches. I have wondered if Origin Live is worth exploring? Perhaps a generation old Triplanar from the pre owned market?

 Any thoughts on what are viable choices? 

 

 

 

 

 

 

neonknight

@mijostyn  I have experience of Mass Plinths (multiple years) and in conjunction with this, have had encounters with numerous TT owners who have adopted the Mass Method as their choice for a Plinth.

I have met lesser who have adopted the Standalone Tonearm Pod as a means to mount a Tonearm and even less who have adapted a TT to have a Swing Out Cantilever Armboard as a mounting design for a Tonearm.

If I were to spend a little time, using Web Searches to discover where the usage of the above methods are to be found and to gauge popularity.

I don't expect to find many utilising a Swing Out Cantilever Arm Mount unless a part belonging to a Brands TT Design, not many Plinths Only are seen produced to mount a Tonearm using this methodology.

Similar Time spent searching will certainly show where there is a popularity to adopt the Standalone Tonearm Pod, I know this as not too many years past I used a selection of witnessed designs to design a Tonearm Pod for a period of trialling I was getting to the point of putting into place.

As for a similar time searching for Mass Plinths in use, it won't be long before the idea of Bookmarking Pages will be abandoned as the quantity to be found is substantial.

A said in previous post over a long period of time,  I am a advocate of rigidly coupled, but also I am an advocate of allowing those with an interest, curiosity, want, to pursue it and have their experience. The methodology adopted is able to replay recorded music just fine.

When these individuals following their curiosity, want, interest, settle down with drink in hand and commence with enjoying the fruits of their work. I don't really see a concern for a Earthquake making a visit being too much of a Concern, maybe just a snippet of a concern for a overly noisy dead wax or invasive tick or pop. A contamination on a Styli can prove to be quite frustrating, and will ruin any replay, it is surprising how many times it is sat out and persevered to the point it has to be dealt with. 

There is only a untruth being told if a user of Vinyl claims there Styli is pristine clean for every replay put on by themselves.

In general 'most users' of vinyl enjoy the required rituals to get the better from it, but they are Human, they are not fanatics, and each will have their own level of expressed zeal.   

There are items you have raised that will come into a discussion now and again, they are discussed as they are present, and in most cases met to varying degrees of being present, each can have its own influence on the function of the parts required to produce the replay.. 

The influence is maybe unwanted, but it is a reality, it is present and it is lived with.

The Influence is not removed but some will go to lengths to manage the condition.

Reality is that the success of the management within a Home are pretty much assessed subjectively, so individuals choose their poison and the level of toxicity they are willing to persevere.   

Most who are knowing of the influences being present are thoroughly enjoying the musical experience being created, however flawed it is in relation to the ideal but  unobtanium perfect equipment / environment.

What's more is the individuals with such flaws equipment and methodology used  to manage the condition, are happy to introduce other's to experience the flawed equipment in use, in the flawed environment.  

As stated a few post back.

" Lets see which are those, whom choose to tell another how to mount their own Tonearms in conjunction with their own TT/TT's in their own Home ".

@lewm You have stated about myself,

"but it appears he is cognizant of the necessity to build his arm pods to be rock stable ".

I have never built a Standalone Tonearm Pod, I have produced a design for one, which if produced as Batch of Three, was once seen as a simplistic method to enable a variety of Tonearms of various lengths to be used in conjunction with a TT Trial Period, that was to have a TT used with Multiple Designs for a Platter Bearing.

Bearing Exchanges were to be carried out as a Comparison Trial.

I had managed to be offered from across the Globe a selection of Bearing Designs produced for one TT.

The Swap out of the Bearing was relatively easy without too much downtime due to exchanges.

From the producers of the Bearings, a Couple expressed an interest to see how different Tonearms were deemed to function when encountering the design for their Bearing.

I offered a way to accommodate this, by the means of suggesting a Standalone Tonearm Pod, strange how these engineer minded individuals did not refute that as a proposal, or the design when made known, when all bearing suppliers got wind of it still no challenges.  

The TT to be used for the Trials was with its own Mass Plinth and only able to accommodate a Tonearm with a Rega Geometry. Again strange how these engineer minded individuals were not challenging the Mass Plinth TT in use, it was agreed the TT was to be the one used.

As made known I no longer choose the Mass Plinth or the TT mounted on it as my first choice, the Mass Plinth and TT are reserved for demonstration and loans only. 

 

Dear @mulveling  : The Verissimo comes with diamond cantilever and the MC2000 with aluminum and my re-tipped cartridge has a ruby cantilever.

I don't doubt what you say . Yes, my VDH experience had boron cantilever and in an audiophile place that happened with his Titan i.

 

R.

@rauliruegas 

 

Well I have images of a cantilever with epoxy only on the tip and pictured of a clean cantilever devoid of epoxy. Cantilever is not fractured. The cantilever is confirmed as synthetic diamond. There is plenty of data to confirm the cartridge is all OEM and missing a diamond. Condition and health of the cartridge is confirmed by inspection. Steve is in the process of installing the diamond at this time. 

@lewm , I live in a bathroom community glued to the side of the greater metropolitan Boston area. I also have an excavation company in my back yard. Can't see them but I can hear them all day long if I walk outside. I hear and see them running inside if I but a a few blocks of wood under the Sota and turn off my rumble filter. Put the tonearm down on a stationary record, put the dust cover down so you are not subjecting the tonearm to any drafts and watch the subwoofers go. Sometimes I can even see the cantilever squiggle a little as something comes in around it's resonance frequency. We do have seismic activity up here but it is always minor by the time it gets to us. I have felt it on several occasions, very spooky. A tonearm needs to be rigidly connected to the platter and both need to be isolated. People will do what they will but, you will never catch me with an outboard arm pod or an unsuspended turntable. Yes, "whew" is more than appropriate.

@pindac , two tectorial plates moving at two inches a year cashed into each other and created the Himalayas, a rock pile 25,000 feet high. So much for mass. 

@mulveling , I lost the diamond off a Clearaudio Charisma without a hint of damage to the cantilever. I sent a picture to Musical Surroundings who got a new cartridge and a return packing slip to me in three days. Great service. Then there is the episode with my Double Matrix Pro Sonic but, I will save that for another day.