Cambridge 740c or Rega Apollo with Linn and Sonus


Hi everyone,

I live in a 2 bedrooms apartment and my current setup(living room) is a Nad C542 with Linn Majik-I int. amp. and Sonus Faber Concertinos. I am ready happy with what I have but would like to upgrade cdp to either a Cambridge Audio 740C or a Rega Apollo or any other player around the same price range. I mostly listen to jazz, classical, soft rock, voices. I would like a cdp that can transmit the emotion from a voice, not too harsh or too analytic. I prefer warmth, rich notes over detail. Which player do you think is more suitable for my setup and the qualities that I am looking for?

Thanks!
stardust888
The Cambridge is flavor of season. They are already starting to turn up fairly often in used. Rega has been a class leader at its price point for 5 or 10 years.

The benchmark dac is the same way. Take a look at how many you see used. Look at a hot review in Stereophile or the TAS on a piece of equipment and you'll see a lot of discussion on it and then it'll fade away and start showing up in the used section - see also Zu Adiagio - I could go on and on - Creek 5350 - Gallos - NAD - not to say these aren't good components but don't get carried away.
Very true. Those outstanding reviews tend to mean that some units get sold new that maybe should not have been bought. And then in turn cheap folks like me can scoop them up used 6 months later.
So whats new Wireless200? Every product has a life cycle - right? The Cambridge stuff has been "flavor of the season" for the past six seasons. Not bad for a entry level product - but clearly won't last forever.
Sorry, Jimmy, to be so late in responding. Haven't been in here the last 2 weeks.
Sorry , I have not tried the digital inputs. I would imagine they would be quite formidable, but I haven't had time to try that yet.
A furthur thought: people sell things not because the item itself isn't superior to what they have, but sometimes because it doesn't SOUND like what they want it to sound like. People talk about "more bass" as though it means something, when it simply means they may have no idea what a real bass instrument, like a tuba, sounds like and may therefore want something exaggerated. That's why listening to the human voice is a better way of determining sound than other types of recordings, and opera is probably best, since one can always listen to a bass singer on several amps and tell which one give the best tonality, transparency, dynamics, both - macro and - micro and focus and bloom. And they are also not overdubbed. So, hard to tell about things by what shows up on the site.