@jasonbourne52 has a good point… but I would side wth @lewm on this lash out on the line of reasoning using that 5c investment to get a datapoint.
Or push it to a quarter in Anton Segur fashion…
Can I get more out of my Koetsu ?
Hi Team,
This might be one of my only discussions on here so pls take it easy on me🙏.
My current dilemma is, as the title suggests, I don't know if I am doing one of my carts (Koetsu Rosewood Standard) justice.
Current setup is:
Koetsu > Yamamoto HS-5 headshell 18.4g > Technics 1200GR standard arm W-achromat > EAR MC4 > EAR Phonobox Classic > Leben 600x > Devore Fidelity 096;
The MC4 SUT is a new addition and it is all sounding pretty magical to me right now. Previously I was using the SUT in the phono stage.
I know the Koetsu is meant to be on a high mass arm and that is why I added the HS-5 head shell. It is heavy and brings the resonance calculation to acceptable range. I do have to add the added counter weight for the technics arm but with it everything tracks perfectly.
My other cart is a Hana ML low output MC cart. I like that one too but it only requires a medium mass arm which the Technics is so theoretically a better match.
The Koetsu already sounds magical and better than the Hana to my taste but how do I know if It could be sounding even better?
The way I see it:
- somehow hack a high mass arm onto the technics (don't think this would be easy and maybe not recommended)
- Upgrade to technics 1200g (better arm but still not high mass. actually think its less mass than the GR)
- Start a new journey with another table with high mass arm (possible but $$$)
- Just be happy with what I got and buy more records 😃
Strategy advice on how to navigate this problem and if new turntable is the answer some suggestions on how to approach that.
I am not fussy about audio equipment that looks like it can take me to the moon. I am more into older style equipment that just sounds lush, magical and gives me technicolor dreams.
Thanks in advance!!!
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@kdogsy , I think most of us that have gone that route prefer it. It works only with very low impedance cartridges which most of the best cartridges are. I would be very surprised if the Little Loco or the big Loco did not make a significant improvement over what you are doing. Another option is the Channel D Lino C. The benefit of the Lino C is that it has a flat output. No RIAA correction. This allows you to use digital RIAA correction and with Channel D's Pure Vinyl program you can record records to Hi Res digital files, 24/192. This allows you to raid your friend's record collection and record any special stuff they have. |
@mijostyn …”you need to try the combo of a very low impedance cartridge and a transimpedance phono stage.”
Thank you for the recommendation. I have slowly systematically moved to where I am today over the last fifty years. This is exactly where I want to be. |
- 34 posts total