I must agree with Tvad. As a long time owner of a PD-65 (I sold it a year ago after 14+ years of great performance), I can say this is an unbeatable player standalone. But you will get magnitudes of sonic improvement with your money invested in a top-tier DAC from 5-10 years ago than any new player for the same price.
I tried a bunch of DACs over 12 years from the best value ever Counterpoint DAC10 (I am kicking myself for selling it) to the ARC DAC3 (rather fatiguing and sterile) to the awesome Manley and VTL Reference tube units, and later Electrocompaniet ECD1 and Classe DAC1 which are both now under $1k. The Classe particularly is a great great sounding component and has a hint of the Manley and VTL sound as it uses the same UltraAnalog chipset.
Along with the Genesis Lens, the PD-65 was a great transport to these many DACs. But it really was the Manley Ref DAC that was so superb especially after having the audio and power supply sections significantly updated by GNSC. Nobody would have ever known I had a $400 "transport" in the chain. Having the Aesthetix/CAT/SoundLab at the end of the chain surely helped a bit. 8-)
Only when I wanted to scale down the number of components did I change to a single player. But I have kept the Manley as it has a classic rich and bloomy sound that is nothing like any other have I heard.
I would not pay as much attention to the sampling rates or number of bits but rather the analog output stage and power supply. These far more affect the resulting dimensionality than any of the games being played in the digital domain. But don't expect to hear major differences here if the rest of the system is not at the same caliber as the DAC under consideration.
I see two Classe DAC1's now on here...both sold. They sell in the $800-1100 range and go fast. You could jump on one when it comes up, play for a week or two and sell it for the same price if it is not to your liking. But I think you will be presently surprised. The digital cable makes a huge difference here in the portrayal of space and body of instruments. And the solid-state-based Classe can pull this off quite well.....again due to the UA chipset. But the rest of the system must have this resolving power to appreciate this.....and far too few digital playback systems have this.
John
I tried a bunch of DACs over 12 years from the best value ever Counterpoint DAC10 (I am kicking myself for selling it) to the ARC DAC3 (rather fatiguing and sterile) to the awesome Manley and VTL Reference tube units, and later Electrocompaniet ECD1 and Classe DAC1 which are both now under $1k. The Classe particularly is a great great sounding component and has a hint of the Manley and VTL sound as it uses the same UltraAnalog chipset.
Along with the Genesis Lens, the PD-65 was a great transport to these many DACs. But it really was the Manley Ref DAC that was so superb especially after having the audio and power supply sections significantly updated by GNSC. Nobody would have ever known I had a $400 "transport" in the chain. Having the Aesthetix/CAT/SoundLab at the end of the chain surely helped a bit. 8-)
Only when I wanted to scale down the number of components did I change to a single player. But I have kept the Manley as it has a classic rich and bloomy sound that is nothing like any other have I heard.
I would not pay as much attention to the sampling rates or number of bits but rather the analog output stage and power supply. These far more affect the resulting dimensionality than any of the games being played in the digital domain. But don't expect to hear major differences here if the rest of the system is not at the same caliber as the DAC under consideration.
I see two Classe DAC1's now on here...both sold. They sell in the $800-1100 range and go fast. You could jump on one when it comes up, play for a week or two and sell it for the same price if it is not to your liking. But I think you will be presently surprised. The digital cable makes a huge difference here in the portrayal of space and body of instruments. And the solid-state-based Classe can pull this off quite well.....again due to the UA chipset. But the rest of the system must have this resolving power to appreciate this.....and far too few digital playback systems have this.
John