Fantasy or reality? Inexpensive solid state preamps that get you 80% there?

@hilde45 not solid state, but solid state quiet, a used Rogue RP1 is an incredible value. Swap the two JJs for a pair of Brimar CV4003 from Upscale and put a good power cord on it, you’ll be pleasantly surprised. Should be under $1200 for a mint condition unit on a used market. Look into it. 

I appreciate replies, but I'm not looking for $2k or $3k or $4k. I'm taking notes of everything mentioned, but in my OP, I discuss looking at Schiit stuff and other inexpensive options.

Also: Some clarifications:

I have two excellent tubed preamps. I prefer them and will use them most of the time. This is for some variety and to give my tubes a break occasionally. 

I know preamps are important.

Thanks for the other rec's!

@tjag To boost signal and volume knob. I have tried an extremely high quality autoformer and it didn't have enough gain. Things were too thin.

@wolfgarcia — that's helpful — I have the same Pass amp.

@audioman58 Thanks for the AudioGD mention. A good friend in Italy has an amazing system and after many trials, settled on AudioGD for his DAC. Very high quality stuff, but not as much PR as some other companies. Good value there, most likely.

@ghdprentice It seems my "80%"  comment is misleading. I would put it this way, instead: "What SS preamp sounds pretty decent as a backup for less that $1k?"

Compare this purchase to shoes you wear around the house. Comfortable, acceptable, but not your best or nicest shoes.

@tomcarr  Would you please do another comparison possibly for the good of the group with and without the (topping) preamp?  Is with preamp better sonically?  How much better and in what ways?  Thanks.

@lanx0003 My system is very simple. Just a CD player, preamp, amp and speakers. In my case using the preamp sounds better than using the CD players volume control. The sound is more natural, less grainy, more organic. A lot better.

Re: Topping. It seems decent. I liked the comment from Stereophile:

"

Internally, the Pre90 is the very model of a modern analog preamp. It is fully balanced. It increments gain in 0.5dB steps via relays that switch among resistor arrays. Its active stages are based on nested feedback/composite amplifiers (NFCAs), an increasingly popular construct that can deliver extremely low noise and distortion without resorting to complex, bulky circuits or esoteric semiconductors. On paper, it seemed perfect, with two channels of balanced or unbalanced input and output, adjustable gain, and eye-popping specifications. Despite its low cost and small package, the Pre90 shares many characteristics with larger, more complex, more expensive products, including the recently reviewed Benchmark Media LA4/ HPA4 and the Pass Laboratories XP-32.

One limitation to the naked Pre90 is that it provides just one RCA and one XLR input. Topping, though, has a solution in the form of a matching accessory: The Ext90 costs just $249, connects to the Pre90 with an included umbilical, and adds one more RCA and three more XLR input pairs. The Pre90 doesn't provide any adjustment for interchannel (L–R) balance, so if you need that capability, you'll need to find a place for it elsewhere in your signal path."