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Sjofen The Clue speakers

I bought a pair of The Clues from Lars about a month ago for my bedroom system. I decided to break them in with my main system, which consists of a Modwright LS100 preamp and KWA 100SE amp, Oppo 105 CD player, Jolida FX Tube DAC, Jolida phono preamp, and a SOTA Star TT. My main speakers are Joseph Audio RM25XL floor mounts speakers, which are fantastic. I have had many stand mounts in my system over the past few years, including GMA Callisto's, EOS HD's, KEF LS50s's, Ascend Acoustics, Usher 718 Diamonds, and a couple others I now have forgotten.

I am simply blown away with the musicality of The Clues, particularly with their dynamic extension. These speakers go really low and are extremely well balanced. They perform optimally when placed directly against the back wall of your listening room.

After listening to them for a month, I will go out a limb and say they are nearly the sonic equal of my $4300 JA speaker! I could go on and on about how fine The Clues sound, but I will say that I have never had a stand mounts speakers in my system that performed as fine as these do. For $1000, they simply have no reason to sound as wonderful as they do, but they absolutely do. You owe it to yourself to give these little gems a listen. Friends that have heard them in my system have come to the same conclusion that I have: they are fabulous, full-range speakers that are modestly priced. Highly recommended!
whitestix
simao's avatar
simao
1,830 posts
 
Some good points here - especially insofar as small companies like Sofjan could potentially be devastated by a review like this in a major publication. How many potential buyers will take the reviewer's word, see the manufacturer's rebuttal as simple desperation, and move on to more fawned-over products?

I enjoy Stereophile, but JA has gotten much more ivory tower-ish and smug over the years in his position as an audiophile guru of sorts. And I can see his defending his staff, but when that staff is new and botches a quality control aspect as simple as this one, it's time to come off the pedestal.
mapman's avatar
mapman
22,328 posts
 
THese remind me so much from what I see and read of my Triangle Titus, even more so their bigger brothers, the Cometes.

I'd be willing to bet that if in the review the speakers were set up More like this on low isolating stands closer to the floor as well as walls for bass reinforcement rather than the more conventional stand mount the manufacturer recommends, the issues cited would be resolved.
simao's avatar
simao
1,830 posts
 
"I'd be willing to bet that if in the review the speakers were set up More like this on low isolating stands closer to the floor as well as walls for bass reinforcement rather than the more conventional stand mount the manufacturer recommends, the issues cited would be resolved."

For a long time I used Mapleshade Bedrock stands with my Triangle Titus. When i put them on my Ora Audio conventional stands, I noticed a subtle but distinct closing in of the soundstage.
schubert
7,386 posts
 
Simao. you just sold a pr of Mapleshade stands.
I have a pr of Titus 202 that I bought from a guy at a garage sale for 50 bucks. he was aware there were a Sterophile class B , said he just wanted them to have a good home.
I keep telling myself that my Meadowlark Kestrels 2's and Eagles and Totem Model I Sigs and MMG's all sound better and maybe they do, but the Triangles are what I keep listening to.
mapman's avatar
mapman
22,328 posts
 
The Isoacaoustic stands I am using with those are isolating stands. They made the difference for me set up low to the floor with slight upward tilt of tweets to ear level. Acoustics in that room are horrible. This speaker/stand combo is the only thing I have ever managed to get to sound right in there. I attribute it to the stands mostly. Bass is clean full and articulate now for the fist time ever. With other conventional eye level stands in there, bass was fat but muddied and not full and not articulate like I know it can be with the Titus XS.
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