Building stands for Harbeth 40.2's


I talked with my builder today. I told them I would reach out for more expert opinions on a final design.

Since the TonTragers are the benchmark for Harbeth stands, I'm trying to match them as much as possible.

Question 1- The TonTragers have a 1 inch riser in each corner of the top of the stand. Is this critical for optimal sound ? Or would it be sufficient for the speaker to sit flat on the top of the stand ?

Question 2- Obviously the top needs to be open except for the exterior frame, but can the base be a solid flat piece of wood...or should that be open also ?

Please chime in with any ideas...also I plan on using some good cone spikes on the bottom.

I've attached a pic of the TonTrager for reference for the above questions.

Thanks in advance.

krelldog

@bassdude , I have stuck 3M carpet tape to just about anything you can think of. It will not damage a modern polyester finish at all. It will leave a residue that is easily removed with brake cleaning fluid. The most common problem with carpet tape is that it will not stick to some surfaces that is when I switch to 3M high strength mounting tape. That can be a b-tch to get off.

Beech is excellent for speaker stands and that’s what Tonträger mainly uses. 

From HUG, by Alan Shaw, Designer, owner, Harbeth Audio UK:

Quite honestly, you are over reading the design, shape and styling of the stands. From our perspective as the speaker designers, the stand you show is just one of an infinite number of possible designs, all of which would almost certainly achieve good results.

During the design of the M40 I recall that I used IKEA tables, which had a flat top and four legs without the cross bars at the top or bottom.

The selection of a speaker stand must fulfil only two core criteria: raising the tweeter so that, ideally, the tweeter is level with your ear (very few users do this and hence very few users achieve the full sonic potential) and protecting the speaker from toppling over. With those criteria met, there is a very wide latitude on materials, shape size and colour.

One advantage of our relationship with Hifi Racks - very useful for the Bristol show last week - is the ease with which they can make longer legs for our stands. For example, we had never exhibited the M30 to a room full of mixed standing and seated folk before, and we calculated that we would need a few more cms. height, which they cheerfully obliged.

The selection of a speaker stand must fulfil only two core criteria: raising the tweeter so that, ideally, the tweeter is level with your ear (very few users do this and hence very few users achieve the full sonic potential) and protecting the speaker from toppling over. With those criteria met, there is a very wide latitude on materials, shape size and colour.

This is ludicrous assertion by Shaw. How a speaker stand interacts with the floor can, depending on other variables, produce clearly audible differences.

The quote is reminiscent of when, years ago, Shaw was famously agnostic about amplifiers:

Whatever amp you've got will work just great with Harbeth. Anything British, made after about 1980, fully serviced will be great. End of story.
 

Shaw designs excellent speakers, but at least some of his related views should be taken with a large grain of salt.

Think this way -- if the stands have dramatic impact to the speaker performance and he ignored it unduly, would he be successfully designed so many good speakers and have good reputation for that?

Lots ideas about good stand discussed here, including the expensive TT design lack of theoretical back and experimental evidence at all.  So please show the theories and measurement data to prove it that they are not snake oil.