Considering A 20-40 Watt Stereo SET Amp

@atmasphere 

SET guys won't like this of course, but I challenge any one of them to a simple set of questions: When did you compare to a PP amp of the same power? Barring that, did you compare to a PP amp using the same power tubes and construction technique (and parts)? I've done both

I suppose am a “SET guy”.  I’m not the least bit bothered by this and I haven’t done the above stated challenge. In my audio journey, if I’ve learned anything it’s choose what type of sound and music presentation that makes you most happy and connected.

I have owned two terrific push pull tube amplifiers, 100 watt KT 88/6550 and 40 watt el34. I have 300b SET mono blocks 8 watts. All three work very well with my 94 db sensitivity/14 ohms speakers. The SET is the most nuanced, open, transparent and in addition the most emotionally involving, 3-dimensional and tactile of the three amplifiers. Simply more real and believable presentation. That’s my listening experience. For other listeners if can certainly be different.

@stereo5 I strongly encourage you when the time is right to obtain suitable speakers and try a good quality SET. See what you think. Maybe even do the amplifier challenge mentioned above.  It may or may not be for you.  I can only report that it works extraordinary well for my desires.

Charles
 

@stereo5 You're very welcome man, and I wish you the best of luck!

I have owned two terrific push pull tube amplifiers, 100 watt KT 88/6550 and 40 watt el34. I have 300b SET mono blocks 8 watts. All three work very well with my 94 db sensitivity/14 ohms speakers. The SET is the most nuanced, open, transparent and in addition the most emotionally involving, 3-dimensional and tactile of the three amplifiers. Simply more real and believable presentation. That’s my listening experience. For other listeners if can certainly be different.

@charles1dad 

I don't doubt your experience.

Those larger amps you mentioned use feedback. A long time ago I read a passage by Norman Crowhurst (an early tube guru), discussing what happens when feedback is applied in an amplifier. He described the spot that occurs as the 'feedback node'; the cathode of the input tube. The thing is, that tube, no matter how good, isn't linear. So when the feedback is mixed with the incoming signal, its a distorted by the tube, so causes additional distortion as a result. Crowhurst described that as 'higher ordered harmonics, inharmonic distortions and intermodulations'. All of these are unpleasant to the ear and readily audible (usually has harshness and brightness at some level).  Those things did not go away simply because the amplifier is a bit newer...

A simple remedy is to not mix the feedback inside a tube. It can be done using a resistor divider network entirely outside the amplifier. It helps a lot if the amplifier is also reasonably linear without feedback! This practice is exceedingly rare in high end audio.

Most pentode and tetrode power amps I've seen really need that feedback to work. But if the amp was already musical without it?? That's pretty rare... I'm not contesting your experience. What I'm saying is to find out how this works, a wider net has to be cast.

I started studying SETs in the early 1990s (with early editions of Sound Practices magazine as the influence). I've heard some SETs that seemed quite nice, but so far none surpassed some (but certainly not all) of the PP amps I've played. 

IIRC, your SET uses a 300b. You might find it interesting to hear a class A PP zero feedback amp using the 300b. In that way variables are eliminated, all of which affect the distortion and therefore the 'sound'.

@atmasphere 

IIRC, your SET uses a 300b. You might find it interesting to hear a class A PP zero feedback amp using the 300b. In that way variables are eliminated, all of which affect the distortion and therefore the 'sound'.

Yes my SET does. I believe that Canary Audio makes both zero NFB SET and push-pull 300b amplifiers. I don’t know if anyone has done a direct comparison between these two versions.

 Charles 

I own a parallel SET and two pushpull amps.  My favorite is a flea-powered pushpull that runs the 349 output tube.  The best tube amp I've heard is a custom-built output transformerless amp followed by a pushpull amp running the extremely rare 252 tube.  In other words, I don't have favorites that are consistently one topology.  

I think the OP should broaden his search to all types of tube amps, not just SET amps, particularly because higher powered SET amps are quite pricey and none have sounded as good to me as the low-powered SET amps, which might work if high volume levels are not a priority, but, are probably not ideal given that the speakers are not near the 100 db/w efficiency level that is more suited to low-powered SET amps.