What are your favorite songs or albums for illustrating a deep soundstage?

Brick House by Sara K. (A Chesky recording.)

Overture & March "1776" Composed By – Ives*
https://www.discogs.com/release/4195543-Various-The-Nordic-Sound-2L-Audiophile-Reference-Recordings

Thank you for the excellent suggestions so far. I’m excited to try some of the new tracks late this evening.

@bdp24 I am having a hard time finding that particular album on digital, but I am seeing a compilation that has many of the Planets track with Sir Boult and New Philharmonia. Hopefully that is the same performance. 

@tylermunns I love Mazzy Star and Beck, both good tracks. Will look into Elton.

@tomcarr Also great suggestions. I should also revisit Roger Waters Amused to Death. I never really got to know Supertramp, so this will be my first foray. 

@hilde45 I love Sara K and have that on CD. Will have to give it a shot. Classical examples are also very welcomed. 

More than anything, I am looking for tracks that holographically image well past the front wall between the speakers. I have no issues with my speakers disappearing and having a tall and wide soundstage, about 180-degrees wide or more. But I also envy setups where it feels like there is a really layered presentation in the center as if you can hear performers 20-30ft in front of you. I know a lot of this has to do with positioning and the speakers’ distance from the wall. One thing I’ve noticed is that many systems that have a deep soundstage do not have a wide, enveloping one that goes 180-degrees around the listener. Instead, those deep stages are limited to about 110-120-degrees. There are rare instances, but that’s my experience. I want to attain the best depth while retaining the size of the width and height I am getting. 

@blisshifi Yeah, I found the ability to so easily “see” the snare drum with such a “visual” presence, consistent, steady but minimal (or the opposite of ‘busy’) on “deep sounding” tracks helpful. YMMV, and you might certainly have other tracks you’d prefer in a similar vein.  
That particular minimalism with the snare I found helpful to provide a “centering” base I could work outwardly from.

Song:  Nasty

Artist:  Vincent Ingala 

Chesky Jazz for Audiophiles

Volume 3

Track 47