Tonal accuracy or correct timbre (does it accurately produce an instruments sound)
Separation and total coverage of the frequency band. Highest upper register and lowest bass/low frequency register
Top two most important sound qualities
In case you didn't know, it's 2023 and this website still hasn't implemented a polling feature, so I can't define a selection of sound qualities to choose from and see results in a grouped, organized fashion. Boo hoo!
If you had to pick two of the typically referenced sound qualities that are most important to you to optimizing the enjoyment of your system, what are they? You know what I mean, right? Could be a certain frequency range and some particular quality that you for in it, or any quality that applies across all frequencies, etc.
(Note: "Sound qualities" mentioned here do not include anything that refers to physical attributes of your system or listening room, such as acoustical treatments, types of components, types of source material, physical tweaks, etc. It's only a reference to subjectively appreciated qualities.)
Mid-range warmth which my system does well. Hear my WT system and compare with $30k Taiko Audio SGM Extreme server (with Boulder amps+ Vimberg spkr) in below videos. Original music https://www.youtube.com/watch?v=682ePZmXKMo WT audio https://www.youtube.com/watch?v=OV8E3FqkJME Taiko Audio SGM Extreme server https://www.youtube.com/watch?v=qPENz0WLHPc ============ Hear it at T.H.E. Show / THE HOME ENTERTAINMENT SHOW LLC My room is # 372. Alex/Wavetouch |
I don't know if anyone here is following the Generative AI stuff. I thought it'd be interesting to ask the following question to one of the Gen AI LLMs. This is the answer I got ... Q: What are Two of the most important sound quality characteristics that an audiophile looks for in their audio system? A: Two of the most important sound quality characteristics that an audiophile looks for in their audio playback system include:
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@bdp24 wrote:
Exactly. Much has been said about how this or that speaker - oftentime the smaller, monitor-style variant - is able to seemingly "vanish" in its mere physical existence leaving only the sound hanging in free air, but it's still glaringly obvious what's heard is a reproduction. A lot of aspects in sound reproduction, incl. the recording and acoustics, can make for an exposition and revelation of what is not a live, musical event, but there are core parameters more important than others which, when achieved in some minimum measure, are at the basis of a framework of sorts that makes reproduced music appear less of a facsimile. Size and scale are vital for this to come true, as are effortlessness, dynamic linearity and overall coherency/uniformity of the radiation bubble/sphere, and in what's supposed to be an approximation to "High Fidelity" in its true sense of wording in this hobby of ours it's beyond me how mentioned "macro parameters" aren't more readily acknowledged and pursued. |