Interconnects for Pass Labs X260.8


What balanced interconnects are you using with your X260.8 or X350.8?

Looking to potentially move on from my Acoustic Zen Absolute Copper XLRs. While they worked wonderfully with lower power amps I had with their plump bass, including the XA30.8, I find them (suspicion at this point) to be too much of a good thing with the X260.8.
What ICs would have the same natural tone but have better clarity and faster bass?

Gear (in my profile as well):

Bricasti M3, Wilson Sabrina, Pass XP22 preamp, X260.8 amps, Audience AU24SX speaker cables. Amps plugged into outlet on a 20A dedicated circuit.

Thanks in advance!

128x128audphile1

I use Transparent Audio Super + between my Pass 250.8 and Sasha 2, sounds great, a nice upgrade over Audioquest I had previously. 

OP,

 

I would describe Transparent’s sound as transparent… I am serious. Over the last fifty years of my pursuit of the high end, in the beginning I needed really warm Cardas because my electronics were harsh and noisy (cheap to mid-level audiophile). Then as I acquired better sounding equipment Transparent became the very best wires. I have all Audio Research equipment now and with the exception of the power cord for my amp, all are contemporary Transparent Ultra. If you want the sound of your components to come through, this is the right product. If your components are not up to the standards you wish… then Cardas.

@ghdprentice I would like to believe my components are on a decent level. Every change in cables, components, speaker positioning and configuration of acoustic panels results in audible changes. I think this system reached a level where some of the colorations that were welcomed before to hide faults somewhere upstream or in a room are detrimental now as the effects just seem to prevent the components from shining.

Thanks everyone for your thoughts and suggestions so far. You’ve inspired me to first work with what I have. I’m still planning to try different cables though but so far…
Here are some of the challenges I am up against…

1. Relatively small room

2. Amps that have full control of speakers that are capable of resolving minute details and are able to fully load the room.

I’ve made some progress and now achieved more focus and precision in the presentation. All I did was placed GIK Acoustics 244 panels on the side walls behind the speakers all the way up to the corner Tri Traps.
That gave me a bit of tighter bass removing some of the excess in bottom end. This also increased clarity. I then moved the speakers slightly closer together by increasing the distance to side walls by 1/4” for each speaker and that improved the resolution and focus even further. The toe in crosses the axis about a foot behind my head. The soundstage now is wider, I hear better details and the vocals are even more focused and pulled more into the room.
There’s probably still rom for more. improvement. Next step is to hang two GIK Acoustics 242 panels on the ceiling to further reduce the reflections and whatever bass waves that muddy up the presentation. Hopefully!

It’s pretty amazing how a change of amplifier can throw everything off balance! And it’s just moving up the Pass line. The X260.8 are so full sounding that it requires reconfiguring room acoustics and speaker placement. Live and learn!

 

@ghdprentice and @speedthrills I’d love to try Transparent cables. Doesn’t look like the cable co is a dealer though. I’ll call and ask. Once I get the room to gel with this system I’ll look into it.

I would use whatever the roadies use at concerts or better yet, what the people in recording studios use.

 

#nodifference