Schiit Loki Max?


I'm considering buying the new Loki Max EQ for two reasons: 1) its capacity for remote function from the listening chair and 2) its reputed improved transparency (not the the Lokius I currently own isn't remarkably transparent). 

Has anyone tried one of these? ? ? 

 

 

stuartk

These continued Schiit EQ testimonies prove time and again they’re worthy of a listen, and even the "purist" in mind should at least take notice. The Lokius which sets one back only a few hundred I consider a bargain / steal, Goldilocks Zone EQ. Those whom may be interested implementing one into their system I’d without hesitation skip right over Loki and purchase a Lokius. I’d certainly be interested in a Max (Schiit EQ trifecta style) if only felt she’d best their Lokius but have my doubts. Max level is purely "man, I ain’t getting up for schiit" convenience.

Equalization is necessary sometimes for some speakers; in my case for my very special headphone; then "purist" are deluded...

I use some for my headphone AKG-K340...It is an hybrid with two cells a dynamic one and an electro-acoustic one, and to reach optimal S.Q. i must tame a precise frequencies range in the middle band and at the two extremities, i boost the top highs and the deep bass... The result is more natural timbre for all instrument and voice... Hybrid headphone are too complex and costly to design well for profit and good sound said to me a big headphone company designer , that said a lot, and are too picky to drive well with any random amplifier in my experience ... The K340 is the only success and flagship for an hybrid ever... It change my life after the sad fateful lost of my acoustic room...

I dont use EQ. as a toy at all for different nusical genre or styles  and i never touched  it again after the listening month experiment where i set it right to optimize my K340...I use EQ. to optimize TIMBRE perception once for all  and this acoustic factor had nothing to do with  listening to various musical genre...

If someone use it as a toy it may be fun for sure but for me that means this audio system had an unsolved problem ... Because well designed system in optimized room need EQ only for improving timbre, and compensate for some speakers limits as in my headphone drivers case, it did not replace passive acoustic treatment not mechanical active control of the room ... ( in my room i was using mechanical equalization)

My EQ is integrated in my dac as a very basic tool it is not a sophisticated equalization as the Schiit product, but it does the minimal  work i need ...

 

 

«The only "purist" i trust has a double personality, he bi-locate around my head»-- Anonymus acoustician 🎧

@mahgister

Forgive me but I’m having difficulty locating my experience with EQ within your framework... so I must use my own framework in this case.

For me, it’s not so much about timbre as it is about overall tonal balance-- most often the highs are too forward or sometimes the lower mids are lacking clarity -- imbalances due to the, at times, frustratingly-inconsistent SQ of compact discs. 

The more resolving my system becomes, the better all CDs sound but their individual differences are also more apparent. They do not sound uniformly wonderful.

While I do not keep glaringly poor-sounding CDs in my collection, there are some that only require small EQ adjustments in order to eliminate otherwise distracting flaws that inhibit, as you might say, "immersiveness". This is not typically an issue with acoustic music genres but can certainly be an issue with electric instruments.

I hope this makes sense, despite being presented within a different framework.

🙏

You are right...

I forgot that i listen ONLY to acoustic instrument...Mostly... Then i must undertand that people MAY AND CAN "play" with it to compensate some cd recording flaws...Not because their audio system exhibit flaws,...I confuse my system experience with all others... 😁

But i must say to correct you that it is impossible to experience natural Timbre sound with an overall bad tonal balance... Then timbre experience encompass for his optimal perception and ask for overall tonal balance... But because  you said it and explained it to me  very well , i am wrong then refusing to others the necessity to play with it to accomodate some recording flaws and not so much audio system flaw as i wrongly claimed in a too hasty manner ...😁

Myself i used E/Q only to correct tonal overall balance of my dual drivers headphone for a better timbre experience... I dont mind some flaws time to time in recording...Most of my files are classical or jazz always acoustic instrument ... I did not listen to pop , rock, heavy metal nor electronica... but i must admit that all people are not like me then i was dogmatical 😁forgetting that there are recording problems in many musical genres..

i thank you for opening my eyes and rightfully correcting me...

I wish you the best from my heart...

 

 

«Saying that you are never dogmatical is being dogmatical »--Groucho Marx🤓

@mahgister

Forgive me but I’m having difficulty locating my experience with EQ within your framework... so I must use my own framework in this case.

For me, it’s not so much about timbre as it is about overall tonal balance-- most often the highs are too forward or sometimes the lower mids are lacking clarity -- imbalances due to the, at times, frustratingly-inconsistent SQ of compact discs.

The more resolving my system becomes, the better all CDs sound but their individual differences are also more apparent. They do not sound uniformly wonderful.

While I do not keep glaringly poor-sounding CDs in my collection, there are some that only require small EQ adjustments in order to eliminate otherwise distracting flaws that inhibit, as you might say, "immersiveness". This is not typically an issue with acoustic music genres but can certainly be an issue with electric instruments.

I hope this makes sense, despite being presented within a different framework.

 
 

 

 

If someone cannot hear on the spot the huge difference in timbre between these three cellos,then it very possible that he at least need EQ. for sure to optimize his system but more probably a new headphone or improving his system and improving acoustic in the room...And for the test the listener not only must hear differences but identifying why the no1-2-3 are better in the micro tonal playing dynamis on the spot too...

 

EQ help to optimize and compensate for some aspects of our system limitations  yes, but it will not give by his own power a completely natural timbre perception if the system is not right to begin with or almost right or if the room acoustic is not well done or at least not bad even if there is no acoustic treatment... And the recording cd or files  to take the test must be minimally good for sure as our friend stuartk pointed out...

https://www.youtube.com/watch?v=6TXdkcE09lk