Amir fallacy :
Among all subjective qualities perceived the more objective one is transparency ...
Transparency in the audiophile vocabulary does not have the same definition than for a software engineer though...
---For an audiophile transparency means that the audio system let the acoustic trade-off choices of the recording engineer to be heard optimally as they were intended..
How do you know what they intended? You don't even know who that is, or what they heard or experienced. So any argument on that basis is moot.
The only thing you have in your hand is the recording. That is our "big bang." Everything past that is unseeable. Such is the world of audio without standards.
Fortunately, when put in a controlled test where only the ear is involved, most of us agree on what good sound is when listening to a number of speakers. We compare them to each other and realize which one sounds more "real" to us, even though we have no real concept of well, real.
So even in something as fuzzy as speakers and human perception, we have a way to select equipment that is performant based on real research. You know, the type that actually tests to see what speaker we like, not what a research paper says when testing humans with special tones.
The only rational strategy is to build a neutral system that can be provably so. Then modify it to tase using equalization. It is not complicated. You want to please your ears? Do it right.
Sticking wood blocks under your speaker cables won't do it. Thinking a power condition lowers the noise floor when it doesn't, won't do it. Thinking a more expensive DAC sounds great while a cheap one being "crap" won't do it. None of this is based on realties of engineering that goes into operation of your audio gear.