300b lovers


I have been an owner of Don Sachs gear since he began, and he modified all my HK Citation gear before he came out with his own creations.  I bought a Willsenton 300b integrated amp and was smitten with the sound of it, inexpensive as it is.  Don told me that he was designing a 300b amp with the legendary Lynn Olson and lo and behold, I got one of his early pair of pre-production mono-blocks recently, driving Spatial Audio M5 Triode Masters.  

Now with a week on the amp, I am eager to say that these 300b amps are simply sensational, creating a sound that brings the musicians right into my listening room with a palpable presence.  They create the most open vidid presentation to the music -- they are neither warm nor cool, just uncannily true to the source of the music.  They replace his excellent Kootai KT88 which I was dubious about being bettered by anything, but these amps are just outstanding.  Don is nearing production of a successor to his highly regard DS2 preamp, which also will have a  unique circuitry to mate with his 300b monos via XLR connections.  Don explained the sonic benefits of this design and it went over my head, but clearly these designs are well though out.. my ears confirm it. 

I have been an audiophile for nearly 50 years having had a boatload of electronics during that time, but I personally have never heard such a realistic presentation to my music as I am hearing with these 300b monos in my system.  300b tubes lend themselves to realistic music reproduction as my Willsenton 300b integrated amps informed me, but Don's 300b amps are in a entirely different realm.  Of course, 300b amps favor efficient speakers so carefully component matching is paramount.

Don is working out a business arrangement to have his electronics built by an American audio firm so they will soon be more widely available to the public.  Don will be attending the Seattle Audio Show in June in the Spatial Audio room where the speakers will be driven by his 300b monos and his preamp, with digital conversion with the outstanding Lampizator Pacific tube DAC.  I will be there to hear what I expect to be an outstanding sonic presentation.  

To allay any questions about the cost of Don's 300b mono, I do not have an answer. 

 

 

whitestix

Hi Lynn and Don,
What do you think? Is it a good idea to use driver-input power transformer taps to feed 300B filament? This power transformer should be less pushed then the 300B power transformer.
I don't use only electrolytics capacitors for B+. My DIY friend taught me to use a mix of electrolytes, polypropylene and vintage industrial oil capacitors (Siemens MKV, Tesla, KBG-MN and new Obbligato). All this capacitor bank is bypassed by 0.1-0.22uF PIO and 0.001-0.01 uf Soviet silver mica. This bunch of capacitors doesn't smare sound. The only drawback I can hear is the relatively long warm up time (at least 2-3 hours). Probably a 200+uF set of good quality vintage industrial oil capacitors will sound better. But it will be more expensive.

The 300B filament circuit is a very delicate circuit node. The high voltage windings of the B+ transformers see switching pulses of hundreds of volts with very steep rise times. It only takes a few pF of winding-to-winding capacitance to transfer that 120 Hz switching noise straight into that expensive 300B. Unless you know that the low-voltage winding is electrostatically screened (with copper foil), don’t do it. Use a separate transformer just for the 300B alone.

You wonder where low-level buzz comes from? Winding to winding stray capacitance. Whenever you hear buzz instead of low-frequency hum, that’s a capacitive coupling, not magnetic. The spectrum gives it away.

I would NEVER use vintage caps in a power supply. Never never never. Use modern parts. They’re not that expensive, and used in air conditioners all over the world. Vintage is OK in a crossover, where failure is no big deal. In an amp, just say no.

Not sure I see the merit of mixing films and electrolytics. If you have the space, use the industrial parts, and bypass caps to personal taste. In terms of location, the cap bank can be several inches away from the tube socket, but the little caps (0.1 uF or less) need to be close by, an inch or less.

You can do a lot of sleuthing just by listening to the spectra of noise. Magnetic induction is going to be pure 50/60 Hz and fairly hard to hear. Capacitive coupling is high frequency only, and will sound like buzz, usually harmonics of 100/120 Hz switch noise from the rectifiers and transformer secondaries.

Ground loop noise can be isolated by shorting the input plugs of your preamp or power amp. If the input is shorted, and the noise persists, it is inside the component itself, and is usually a design or layout error.

If the noise is the result of two components connected together, that is a ground loop. This can be confirmed by disconnecting the interconnects between them, turning both on (with volume down), and using a DVM to measure the AC voltage potential between the two chassis. Scrape through the paint or anodize if you need to, then measure.

The AC potential between the two should be less than 1 or 2 volts. If it is more, then you have a ground loop. This is caused by capacitive leakage from the power transformer to the chassis. It can cured by reversing the AC polarity going into the power transformer on ONE of the components, but this is not a DIY job.

What causes this is that consumer AC power is not balanced; instead, there is neutral, which is only 1 or 2 volts away from safety ground, and hot, which is 120 volts in North America and 220 to 240 volts elsewhere. Power transformers are not symmetrically wound; one side has lower capacitance to ground than the other, but unfortunately, the leads are not marked, so they can randomly assembled in production. Ideally, the low-capacitance side of the primary should go to HOT, and the high-capacitance side of the primary to NEUTRAL.

If all your components were assembled this way, you would never have ground loops. Unfortunately, the phasing of the power transformers is random. The capacitive leakage from primary to transformer case will let the chassis float to a high value relative to safety ground, which is the true ground. The only real solution are medical-grade power transformers, which have extremely small leakage to chassis.

Short of that, you can hire a skilled technician to wire all of the power transformers in your system for minimum AC HOT to chassis leakage ... which is a good idea from a safety perspective anyway. No more little shocks when you touch a component (which should never happen in equipment built to code). Safety code requires that the fuse, then the power switch (in that order), always be on the HOT side of the line.

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Hi Lynn,

I found online only one filament transformer for 5V - Hammond 546-166MS. This transformer has only one 5v 3A tap. So I need 2 such transformers. I use Hammond in my DIY phono stage. But IMHO Hammond transformers are built cheap compared to Lundahl, Hashimoto, AN or even James Audio. 
Is these Hammond good enough for this task?