@dayglow you said it perfectly in my personal opinion. The HEA the little nuances like space, dimensionality, image placement, soundstage depth, width, height, noise floors, treble decay. These are just a few things that for the most part the High End typically does better. For some folks it’s not worth it. But to some of us it’s like having a concert in your room anytime you choose. Some can and will pay for it. Others won’t.
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@calvinj I think we are on the same page. If someone asks my opinion I’ll give it but I am not one to pass final judgement on things I know little about or have no direct experience with. |
@mapman i agree with you. I posted this because I see a lot of that happening. I see a lot of generalizations. I see a lot of spec talk unrelated to actual sound. I see folks that think you are not hearing what you are hearing and they will tell you what you hearing. Which is crazy to me |
+1, indeed your room looks good, I tip my hat to your designer. There’s a reason why the worlds most renown equipment designers create their own products and charge more for it. This is a VERY interesting point, I also tip my hat to designers of gear that can create something MORE important than the room, the music, or the gear itself, they can create...customers. If they got 10,000% markups what do I care if the customer feels they got value, I got no beef with a good business model. If someone can do it cheaper, that's ok too. What we can debate are WHO are these designers? I have some hero’s right here that are DIY guys that don’t even own a company, but they got skills. But I gotta disagree on one point, you can’t get blood from a turnip. If the room sucks ain’t know gear that will make it unsuck.
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