Nothing ever stays constant forever except change.
Are audiophile products designed to initially impress then fatigue to make you upgrade?
If not why are many hardly using the systems they assembled, why are so many upgrading fairly new gear that’s fully working? Seems to me many are designed to impress reviewers, show-goers, short-term listeners, and on the sales floor but once in a home system, in the long run, they fatigue users fail to engage and make you feel something is missing so back you go with piles of cash.
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- 145 posts total
@mihorn
Interesting observation. maybe that is why people think audiophiles are nuts. They’ve never entered the world of "unnatural sounds".
I can hear the improvement.How do you do this?
Lately, I have been wondering if a single omni-directional point source is the best method for sound reproduction of certain genres of music. Not for orchestra where soundstaging is vital. But for rock music / wall of sound. Also trying to figure out why some musics sounds better on my 2" single driver computer speakers than my hi-fi system.Volume and full-range sound notwithstanding. I switch back and forth with the same song. Sure, this is personal taste, but seems the "harsh" metal driver actually sounds better when it is coming from a small point source. Due to its small size, as it expands, the harshness is dissipated and what fills the larger space is a more clear, coherent sound. |
I believe so. My ears hurt always listening to other audio systems. I can switch my ears between natural and unnatural sound modes, but switching back to the natural sound mode is very fatiguing and gives me a bad feeling to my brain and whole body.
The Wavetouch sound guide on a speaker is the key. Alex/Wavetouch |
- 145 posts total