Found the manual. powers into standby. Useless
Significant steps? (DAC)
Thought I'd get some opinions on where the significant audible steps are in DAC/DAC amp/stack are. Sure, ESS sounds different from AKM, Op amps are different. Good discrete class A can be different. Tiny tiny differences. Where are the big differences. Big for a Dac of course as there is little real difference from a Apple Dongle to a Pontius to insanity?
Step one. The dongle. $12. Good for portable. Most would agree, not quite hi-fi but actually listenable on the move.
Step Two. Real DACs made for hi-fi. $200 stack, DAC/amp. e.g Schiit or JDS stack, Topping DX3pro+, etc. These can be pretty good. Similar to respectable internals in integrated amps of respect. Popular priced, high volume, chip based. They all sound about the same to me. Maybe with $1000 headphones you can pick out differences. The better of them "do-no-wrong" which is significant in my book. The Sabaj A20 and the Gustard A26 have the same chip set, both mass produced, op amp etc. Why a 3X price difference? Just the streamer feature? Is this group, sub 1K maybe, where the "all DACs sound the same comes from? Or like me, having heard an expensive but not very good one biased them into a steadfast spec chasers? ( Bad experience, but my mind/ears are still open)
Step three. It gets harder. I would expect not just not bad, but something actually better. Different moving to the cheapest R2R or higher end D/S. Is the difference from the DX3 to a D70 really significant? RME in here? Better or just different to justify 2 to 5 times the price? Every reviewer at this price claims every new one is worlds apart and the new budget champ. Really? Higher price may be justified as more expensive chips, R2R are of course difficult, better power supplies, better output buffers. Without direct comparison, is this a level you can live with happily and just listen to the music? Are there still actual flaws in the performance? Do you need to have a system appropriately balanced components with speakers above 10K to hear the difference? Can you hear it on an Audiolab integrated and set of Sonas Faber Illuminas?
Step four. Expecting serious entry to high end. Is it at the maybe Mearson or Gustard R26/A26 level? Qutest? Or are these really small increments from less? Is the real step having to go Holo or mid-line Denafrips? 2K or is it 3? 4? Where is that "real" step? Does dealer vs direct sale move things between steps? What would a Aris cost if it was through a dealer chain? Price difference and the need for a preamp would put it almost 4K. Is that good?
Higher? After several grand, does it really cost more and justify higher prices, or are you buying the case and prestige? I have probably not heard the right ones, as the upper end I have heard, the difference to my bottom end was very slight. Does a Birkman or Berkley really change things? What can they do in a box at DCS that is worth $140K that actually sounds better than one for 3 or 5K, or $200 for that matter? Maybe technically close to perfect, but how far above the studio recording and mastering makes any difference. GIGO.
So, where are the dividing lines that separate significant performance differences? What product is a bulwark for that tier?
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- 48 posts total
I know that the Chord Qutest has been well liked at the $1500k price point, but my personal experience with having both in my system is that the Denafrips Pontus II is a big step up in refinement, detail, naturalness of sound for acoustic instruments and voices, as well as musicality. In fact, the relatively inexpensive Pontus has compared well to some expensive DACs I've heard in the past year including the dCS Bartok, dCS Rossini, Naim NDX2, and Chord Hugo TT/MScaler . I honestly liked the sound of the Pontus better than the Bartok for acoustic and vocal instruments. The Rossini is better from an audiophile perspective (resolution, detail) than the Pontus, but listening to music via the Rossini didn’t engage me in a visceral, emotional way as much I thought it would. The NDX2 and Hugo TT/MScaler were non-starters for me. I even like the sound of the Qutest better than the Hugo TT. I’m not sure from my experience that I can say that more expensive DACs necessarily sound better, at least to my ears. The only expensive DAC that I’ve heard that I can 100% say sounds better than the Pontus is the Linn Organik DAC. Not only does that have detail and resolution, but it sounds natural and you can easily understand music played through that DAC.
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recently went from the DAC in my McIntosh (DAC 2 board in my C2700) that I though was stellar specially for a built in DAC in a preamp to a Chord Dave DAC. I really didn’t want to believe the Chord DAVE would be a huge step up, and originally was going to sell it off when I got it in the trade deal I made. But the Dave is so much better i can’t live without it now, its just musical as hell and is head and shoulders above the C2700’s DAC2 board. I recommend you have a listen to one of the lower priced Chord dac’s from my experience the Chord DAC’s are very organic sounding. |
I am going to get a loner Mojo. What I don't know is when the power adapter is got AC applied, does the dac power up, or do you have to hit the ball? Same for a Qutest. Dave is irrelevant for a retired Civil Servant on SS. Same question on the Pontus and Holo. Do they power up for use when AC is applied? Everything is in a cabinet. When I power on the PC, via USB, it triggers a relay for my power sequencer and brings AC up for everything. I am not opening the door to fumble for a bunch of stupid keep-alive buttons. At least the Vidar goes into standby, but when sensing an input, it comes on. So does my sub. For this usability feature, I am being pushed to a Bifrost or E70 Velvet. An outsider may be the Mearson. |
I am a Pontus II owner, and echo the sentiments of @calvinandhobbes regarding value for the money. When you apply power to the Pontus, it comes up in standby mode. You actually have to hit the button to turn it on. This is a bit annoying… I don’t think there is any workaround. |
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