Ah, ever better, with tubes 😁
Class D amplifiers. What's the future look like?
I have a number of amplifiers: Luxman C900U, Bryston 4BSST2, Audio Research VSI 60 Integrated, NAD C298 and some other less noteworthy units. As I swap them in and out of my main system, I've come to the conclusion my very modest NAD C298 is about all I really need. Granted if I had extremely hard to drive speakers, I might be better with the Bryston or Luxman, but driving my Harbeth 40.2 speakers, the NAD is just fine.
I thought a while ago that class D would quickly overtake amplifier design type mainly due to profit margin which I think would be much greater than A/B and tube. I'm not saying the other design styles would go away, just that D would be the most common style.
Clearly my prediction is not panning out, at least in the mid and high-end audio world and I'm wondering why? It seems companies such as Bryston, Luxman, McIntosh, Hegel and so many others are sticking by A/B. I'm no "golden ears" guy, but is the perceived sound issue(weather real or imaginary) still holding D back? Maybe my assumption of profit margin is not correct? Maybe the amplifier manufacturers are experimenting with D, but keeping tight lipped until release? Perhaps brand loyalists don't want change similar to what happened with "new coke". What else am I missing?
Agreed. HiFi+ and TAS reviews (among others) are utter garbage because they almost never compare the review sample directly to any competitive product and often don’t even disclose the relevant component in their reference system. As such, their reviews are basically useless and IMHO serve as nothing more than a product advertisement. My theory on this is twofold: 1) Not comparing a review sample directly to a competitive product almost completely absolves the reviewer of any accountability or being pinned down on any assertions he/she makes — they just wax poetic about whatever they “think” or “feel” at the time. The mags that don’t do comparisons parrot the same line that “it’s unlikely anyone has that specific comparison piece in their system.” Hogwash!!! The fact is humans are very good at relative comparisons and much worse at judging individual things in a vacuum. Relative comparisons are almost always the most important and useful part of any thorough review. 2) It allows the reviewer, and thus the magazine, to spit out “reviews” at a much faster rate as making actual equipment comparisons significantly increases the time to write a review. When I wrote reviews for Soundstage! a product comparison section was mandatory, and if a reviewer didn’t have or couldn’t get a comparable piece to do a relevant comparison to the product under review they didn’t get to do the review. Period. That, IMO, is the right and only way to do a thorough and meaningful review. Sorry for the sidetrack, but I thought @ricevs hit on a very salient point that warranted some emphasis. |