I’m going to add to what @mapman has pointed out. Musicality has everything to do with how the amp makes distortion. The main differences we hear between amps, their ’sonic signature’ is in fact their distortion.
To be musical, that distortion has to be benign to the human ear. The only harmonics that qualify in that way are the 2nd and 3rd.
Higher ordered harmonics, the 5th and above, are sensed by the ear and interpreted typically as harshness and brightness. In musical instruments, the higher orders are sculpted by the instrument maker as the tone colors of that instrument. IOW distortion is sensed by the ear in the same way that the ear hears tonality in musical instruments.
Fortunately, if the 2nd and 3rd harmonics are high enough in amplitude compared to succeeding harmonics, the latter can be masked. The result is even though the higher orders are present, the presentation can be smooth and detailed, which is to say ’musical’. Tube amplifiers are very good at this sort of thing, which has kept them going the last 70 years. Solid state has been challenged by this issue because while they typically make less of the higher orders, their higher orders are not masked.
The ear is keenly sensitive to the higher ordered harmonics because it uses them to sense how loud sounds are. The ear has over 120dB range and frankly, a lot of solid state amp designers didn’t take that bit into account, so unmasked higher ordered harmonics will cause the amp to be harsh and bright; i.e. not so musical.
This is a bit of a nutshell description of the issue.