@tunefuldude You should do some reading about Lyngdorf’s approach.
Thanks, I will take a look. Sort of set on keeping my Coda power amp though, I am quite taken by it.
Thanks, I will take a look. Sort of set on keeping my Coda power amp though, I am quite taken by it. |
@mahgister I find it interesting, what you have to say about medicine. Are you a doctor of some sort? My experience is that traditional medicine here in the US has become much more about the science and almost devoid of art. I think doctors who participate in managed care have their hands tied behind their back when it comes to the art part because they're so bound by protocols. This is what I've been told by other doctors who've sought my help along the way. The reason I appreciate what you say about the art and science is because I practice a type of healing that I perform with my hands, which gives it a very heavy artistic component. And that's something I love about the work I do, it's very much a science, but imo even more of an art, which is why it's been such a rewarding career for me personally. The objective of the treatment is to restore as much of the normal movement of the tissues of the musculoskeletal system as possible, and the lesion that I'm treating with my hands is the restriction in the vertebral joint. As the normal movement is restored to whatever degree possible, it allows the body to do what it was intended to do in the first place, which is to heal itself. |
@hilde45 I think I can boil this down a bit. In the text below, I'm repeating myself in several different ways. For a designer's point of view, if they understand the rules of human hearing perception, they can design (if they understand the technology well enough), an amplifier, preamp or loudspeaker that will be deemed musical by those that hear it. This is because the rules of human hearing perception are universal. People ascribe taste to music itself. That's different. They might also want to hear more or less bass, more or less treble. That is still in the realm of taste, providing: The distinction I am making is that as long as tonality is not induced by distortion, in particular the higher frequencies, then the amp or whatever will be deemed musical. If tonality comes from tone controls and is not induced by distortion, that is perceived as 'taste'. It took me a while to understand how distortion imparts tonality. I've come to the conclusion that if a designer is pragmatic about that, then that allows access to designing an amp or whatever that will be musical, having nothing to do with taste (which has everything to do with the signal you put thru that amp or whatever). Does that make more sense to you? This really isn't about philosophy and rabbit holes. Its simply the distinction between taste and common physiology. |
Thanks for your kind interest toward me ... We will go along well because i know for a fact without being a doctor that healing and preventive medecine had nothing to do with corporate medecine controlled by big pharma from the Flexner report till today ... Because you want to heal you know that medecine cannot be reduced to chirurgy nor to artificial corporate drugs exclusively made for profit ...i think Hells Angels bikers are chorus boys compared to big corporations ... medecine is an art as any human activities coordinating the two part of our brain and our heart together ... I recommend to you a book because it was my job all my life with the students : man and Mammals by wolfgang schad ....if you read it you will be astonished ...You can also bought but it is costlier his mammoth 2 books : This is a transformative books ... the art to advise and motivate students was in the way to advise to them the right book at the right time ... here a description : «The result of over 50 years of research, Threefoldness in Humans and Mammals is the beautiful, authorized edition of Wolfgang Schad’s life’s work. In chapter after chapter of this monumental two-volume work, Schad demonstrates in detail how the dynamic concept of the threefold organism―first described by Rudolf Steiner a century ago―sheds new light on aspects of mammals, including size, form, coloration, physiology, embryonic development, behavior, and habitat. Indeed, he shows how the threefoldness of the organism―comprised of the polarity of nerve-sense and metabolic-limb systems and the mediating circulatory-respiratory system―is a key to understanding the extraordinary diversity of our closest animal relatives. my respectful salutations
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@mahgister +1 Fascinating. I'll check it out. |