That’s the point of what I wrote above. There aren’t any.
I have heard Sanborn play in more straight ahead settings as part of special event TV shows (including his own late night show years ago), award shows, etc. He can work his way through a set of changes more complicated than in most Pop tunes, but It’s not his forte. It’s kind of the reverse of the way that, for instance, Lee Konitz playing in a one chord funky groove would sound….kinda weird. The genre doesn’t need much of that boundless harmonic skill, it needs a certain attitude and sound.