Made Major Upgrade at $0 Cost in 1 Minute


I’m working my way up in digital audio. A few posts here have helped me along. I have a challenging listening room with much glass and a concrete floor. I’ve worked on adding area rugs, pillows, speaker placement, etc. - but am not willing to make major changes such as drapes or full carpeting. There’s no place for panels, as all of the wall space is glass.

My room is big - 20ft by 40 ft - so I’m listening in a near field setup. I tend to listen at lower volumes, partly to keep my wife happy. My favorite music is jazz vocals.

I haven’t visited any audio stores or shows - I live in a smaller city - so I really don’t know what high end audio sounds like. I’m missing my hearing in high frequencies - sometime I can hear the hammer “clunk” hit a high piano note without hearing the note. Oh well, maybe for me a brighter sound is better.

I bought some Moondrop Blessing 2 IEM’s and heard some wonderful audio quality on Tidal. On my main system, there were some occasional percussion sounds that sounded lifelike - as if they were made right next to me. But overall my sound tended to be a bit muddied, and especially vocals - my favorite music - did not stand out. This seemed odd to me because reviews of my B&O “pencil” speakers said that they excel in vocals.

I’ve also worked on upgrades like a new DAC, LPS for my Node, new router and a fiber optic link. I just bought a UMIK 1 and plan to experiment with REW this winter.

‘Reading led me to the idea that maybe I had too much sub bass. I have 2 sealed subs - 15in and 12in. The volume on both were set at the 12:00 position. Putting my ear next to them led me to believe that the volume matched the rest of my system. As an experiment, I turned the big sub down to about the 10:30 position. The result was a Major, Unquestionable improvement overall in my sound quality. Vocals came out front, even at lower volumes. Muddiness disappeared. There was much more nuance and detail in individual notes. The music was much more interesting, engaging, and less tiring to listen to. I could hear new instruments in the background that I never heard before. I want to listen more often and longer. The improvement was much greater than any of the individual changes I mention above. Funny…it cost $0 and took less than 1 minute.

Thanks to everyone on this forum who has given me comments and advice. I’m working my way along. I don’t know if this recent upgrade will in the long run become “normal” for me, and I will eventually become less than happy with my sound quality. But for now, IT’S GREAT!!

128x128tcotruvo

yes, but not my ears back then- you were talking about checking out REW with frequency/waterfall graphs/plots? Well back then those test tones were used with a db meter to check for nulls and peaks in order to balance the sound in a space. There are speaker phase tests, and soundstage placement tests, not just right and left but depth also, and some nice recorded tunes too. 

I use my subs very literally as "sub" woofers to augment the main woofers, not as "featured" woofers, but everyone’s situation and preferences are different. I cross them over at the lowest frequency possible, and turn them up so that I barely notice they’re playing unless some bass heavy music is playing.

 

@knotscott 

Same.  Turned crossover down and then turned up sub volume/gain.  Big help when I had the sub hooked up.  

20x40 room is a beast of a room to deal with. I beg to wonder if your subs are capable of effectively pressurizing a room that big. I listen in low-level nearfield as well albeit in a much smaller space. I experimented with several small subs that were appropriate for the size of my room but never was satisfied with the results. When I upgraded to a Rel carbon special that I was when I realized what room pressurization, soundstage depth and overall ambience is all about. It was a complete game changer. That being said, if you’re not getting a “oh $h*t” difference when you turn your subs on you may need to revisit placement or replacement. On another note, your power amp is another major contributing factor to sublime low-level listening. A lot of amps need to be pushed to be appreciated. Using an amp that excels at low volume performance is an absolute must have. FWIW.