I believe Mahler really comes into his own in Symphonies 7-9. Of course the early “Wunderhorn” symphonies are magnificent as well, but there is a definite maturity in the last three (I’m not mentioning the unfinished 10th or “Das Lied…” (but they certainly apply) because they’re not complete symphonies. One could make an argument for each of the last three as being the “best.”
I prefer them over the first six, wonderful as they may be. As I’m listening to the 8th right now it’s the best for me , but that changes with each different one. The variety in Part ll of the 8th staggers the imagination.
‘ All his symphonies are so different. You have to marvel at the creativity of the master.
Mahler 8th Symphony
Who conducts your favorite performance of Mahler’s 8th Symphony?
I know it’s hard to get into and over all the counterpoint and screaming in Part I, but
who does that best?
And how about the divine Part ll? Who holds it together best?
Of course SQ plays a big part in Mahler’s symphonies most especially in this one.
You might want to comment on that as well.
I have an opinion, but I’d like to hear your’s first
‘
- ...
- 20 posts total
- 20 posts total