My miniDSP Studio plays DSD just fine and sounds good with a better DAC.I.
I've always had analog amplification for analog sources.
Preamp Shopping - Parasound, ML, McIntosh
I am looking to replace my MiniDSP SHD with an Analog preamp. Trying to keep well under $7k - contenders are Parasound JC2, Mark Levinson No. 5206, McIntosh C49. RE: the JC2 - I know that I would also have to get a DAC and Phono Pre to have "apples to apples" here, but I can get by with my current DAC and phono pre for a bit if I went that route.
Current components are as follows:
- Revel F226be speakers
- SVS 3000 Micro sub
- Parasound A21+ power amp
- Denon DCD-1700NE SACD / CD Player
- Parasound XRM Phono Preamp
- JVC QL-A7 Turntable with AT VM540ML Cart
- Streaming with Roon (Tidal and Qobuz) as well as DSD and FLAC files on my NAS
Essentially, I want DSD Capability (SHD does not support DSD), and do NOT want to digitize / sample my analog sources. With MiniDSP, everything is converted to digital @ 96khz. I love the convenience of the SHD, but I am hearing some artifacts / popping at certain bitrates using Roon and feel that I am not getting the most out of my analog sources. Also, I thought I would have a transformative experience with Dirac Live as my listening room is "complicated", but I wind up preferring the sound without Dirac, despite innumerable measurements taken. Same goes for bass management- I thought it was a must, but am loving the sound with my Revel speakers fullrange and the lowpass on the sub itself set to 55hz or so.
The Mark Levinson 5206 pre is especially tempting right now due to the large discounts - however that gives me pause. I see very few reviews on this and very few discussions about it on the forums. Is there a performance / quality / reliability issue with this model? Anyone have experience with it? It is also the most expensive of my current options.
I think I understand both the Parasound JC2 and the McIntosh C49. But I would like to hear if people are having any issues with the DA1 DAC in the C49 with ROON.
Also - I assume that the Phono pre in either the Mark Levinson or the McIntosh will be better than my Parasound XRM. Is that a correct assumption?
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Hello @jazzman999 , The Mola Mola Makua and the Audionet Pre1 G3, while a little more than some of your choices are far ahead sonically (to me). Both the C49 and JC2 were dull and veiled comparatively. and I had them in my home with similar amps and speakers. I was amazed at the difference. |
Linear tube audio ,with their excellent Lundahl transformer option isa superb vacuum tube preamp , David Berning designed it and they made it even better just under $6k made in U.S.A , myself a guy who mods my own gear and other Loudspeaker Xovers , this preamp has far better internal parts several excellent reviews, on YouTube they even have a breakdown of. What’s inside buy with the 6 sn7 tubes, then there are. 2 more tubes types you can choose from 4 in total.I have heard this several times against much more expensive gear very natural and detailed ,far better parts quality then the mentioned others . output capacitors the excellent ClarityCMR from the U.K check it out. |
I still believe a CAT SL1 mk3 with upgraded Black Path wiring & Caps in 2018 Line Stage is as good as what’s out today. Ken’s gear drives many HIGH End systems with his amps & Preamps thru the many years he’s been delivering Reference Gear to the people. Many are eliminating preamps and using front end of DAC or Streamers. I believe that is a mistake . When it comes to great gear delivers great sound, especially Tube preamps |
- 18 posts total