The dangerous world of Reel-to-Reel Tape


It feels like I re-entered the world of tape knowing full well of all the downsides, yet I  did it anyway.  I spent much of my youth glued to my dad's decks, making recordings.  As cassette and digital came of age, I always appreciated the sound of tape. 

Whether this adventure is worth it is a subjective exercise.  For folks who plop down $500-$1k on cables or those who swap gear often, tape is really not that expensive, relatively speaking.  Titles are limited though. 

The sound quality and experience is quite something.  Before jumping back into R2R, I had 4 versions of Muddy Waters' Folksinger.  Hearing Chad Kasem's firm's work on it in 15ips it's just something else.  Body, size, and presence are just different than very good vinyl and digital.  And this is with the stock reproduce board from a Revox PR99 MKIII. I can only imagine what's going to happen when I rebuild that card, put in a modern one, or run directly from the head out to a preamp. 

Maybe I'll see some of you in R2R Rehab, where I'll try to get sober from tape. 

128x128jbhiller

You all are making me want to get my old R2R serviced and added to my system. It’s nothing special, but I still remember how amazed I was that my recording of Working Man’s Dead and other recordings sounded better than the vinyl I recorded them from. Being analytical that never made sense to me - but my ears knew it was true. I hooked up the deck a couple years ago and one of the channels had major issues.  I think it’s time to find someone that can get it back up to speed.  Hope to see you all in rehab. 
 

Matt

As a servicers who occassionally "enjoy" the opportunity to get the lights to come on, reels spinning, and meters bouncing on 50+ year-old R2Rs, I can best describe the experience as attempting to fix a combination of a (non-functional) Wurtlizer Juke Box and (mechanically challenged) vintage Pinball machine stuffed inside of the same chassis. Not for the faint of heart. But, it will take plastic surgery to get the smile of the faces of the owners when they are brought back to life.

I need an r2r rehab……

I tried to post a pic. Two otaris: mtr 10 and 12. The 12 is recent to copy and trade.

buying tape is like scoring drugs from a new dealer: its easy to get burned.

but once you do…..

i now have a friend teaching me long distance. Fluke meters, Oscilloscope, oscillator. A lot of learning but fun.

if you have a lot of disposable income it is easier with tapes at $500 a piece and techs and maintenance adding up quickly.

it is more hands on by a mile than vinyl.

The sound, call it a different coloration, call it what you will, i have compared mediums, and if the music was originally recorded to tape and you have a low generation numbered copy, then there is no better. Period. 
 

Self built, modified for nab and iec, phono preamps are a year or so away. 
sweet, sweet, madness it is.

 

My friend has an Otari, 15 ips, 2 track, played me Led Zeppelin, holy crap, now I know what they were doing!!!! Best sound I ever heard. Still remember it, probably will never forget it. He's got lots more now for me to hear.

If you have funds and room, go for it.

I have Teac X2000R (their last prosumer deck) 7-1/2" IPS, 4 track pre-recorded tapes, not like 15 ips 2 track, but still that source beats anything here.

i.e. if limited resources, no need to go 15ips, big expensive tapes to move into 'better than what you have'.

however, as noted, pre-recorded content is limited by their era and end of production.

those pre-recorded tapes, 50, some 60 years old surprisingly still sound amazing, no bleed thru, no stretching, the ends can be brittle, I add new leader tape to both ends, to transfer the startup force to the new leader. 

I bought over 500 of them years back, sold 100 of them, only 1 return because it appeared USPS drove a truck over it intentionally.

I know little about R2R machines. But in late 1978, my fiancée and I hosted a party in a flat in Putney that was my girlfriend’s parents’ pied-à-terre, using my (later, but now deceased) father-in-law’s tape deck. A compilation tape made goodness knows how by my wife to be (she hasn’t the faintest idea these days about connecting devices) and a giant beef curry made by my mother-in-law-to-be (also now deceased). I think Jethro Tull and Wishbone Ash were involved. And the only present day effect is that I still have to send Christmas cards to some attendees, who I met for the first time that evening, and have not seen since.

But to be on topic, I think it was a Grundig. And it sat on a shelf above a Thorens turntable and a Sansui receiver. I had only ever handled R2R tapes in my school’s language lab, as we were supposed to be learning French, but actually recorded our burps and played them back to each other. Shameful, I know.