Cost Incurred to Achieve a Vinyl LP Replay


As a Long Term user of the Vinyl LP as a Source, as well as being one who has ventured into discovering and experiencing how fellow enthusiasts have developed their own interest in Vinyl replays. I have got to a place where limited to my experiences only, most I have encountered have over many years have been constrained in their budgets for the Ancillaries required to replay a Vinyl LP.

A few have exceeded the approx' £30K mark for a TT > Tonearm > Cartridge, and fewer from this selection are using dedicated Electronics with a Value of more than £10K to support the Source. 

My most typical experiences are of Ancillaries and Electronics used to support a Vinyl Replay with a combined cost of between approx' £6K - 16K.

I have been demo'd through being at commercial events, Ancillaries and Electronics that far exceed the above Values, but as these demo's are not from a familiar system and have been quite some time in the past these experiences have not been considered as being of importance or contributing to shaping how my present methods are I place to replay a Vinyl LP. 

What I have also become quite aware of, as a result of sharing and receiving accounts of Past Experiences, is that 'dye in the wool' Vinyl Replay Enthusiasts have been active at different levels in their trying out or introducing new ancillaries to get to a place where they are believing that most contentment can be found for their own unique preferences for a produced sonic.

My own endeavours has been to remain with a Particular ancillary and look to have it overhauled, where a modern approach is used to produce a end product that has materials and electronics selected and utilised to transform the ancillary into something that is noticeably different for the better over the original. As such methods are Bespoke, it is difficult to have the methods understood by a onlooker.

My experiences shared have introduced myself to like minded individuals in the flesh and through Global Forum communications. 

I do belive adopted methods to produce Bespoke ancillaries are capable of producing performance that will be more aligned to ancillaries costing much more if using a Branded Item is the guideline, as a selection of materials and adopted methods for these materials can be found in the more recent marketed products. . 

For myself Vinyl Replay is a method to supply a form of entertainment The use of ancillaries to create this entertainment is a must. The learning that is to be attained as a result of using the Ancillaries creates what is more aligned with being a hobby.

The question that is a vaguery, is how much monies, from a range of approx', £3K ($3.2K) - (£350K ($400K) does one feel justified in spending/believes needs to be spent, to satisfy their hobby (lessons learned) needs and need to be entertained (enjoyment of listening to music) .

It is without doubt, there will be 

 fewer reading this, that will be experienced with and able to comment on the 50K and upward ancillaries, it would be good to see what is to be shared. 

 

128x128pindac

To be fair, I doubt english is the OP's first language. But the post is confused as it mainly rambles on about this:

"I do belive adopted methods to produce Bespoke ancillaries are capable of producing performance that will be more aligned to ancillaries costing much more if using a Branded Item is the guideline, as a selection of materials and adopted methods for these materials can be found in the more recent marketed products."

This seems to be something about tweaking versus off the peg solutions from established manufacturers.

Then the closing question seems to be about the question of how much money does one have to spend to get top quality sound from vinyl?

The latter is a how long is a piece of string question that starts with a Rega and ends up with a Dohmann, SAT, Techdas etc. and all points in between. (My own vinyl replay system is in my profile).

To be honest, I decided to not go down that road long ago... I saw the cost early on and knew it could be a losing battle. If it would take a 10K tone arm to make you happy, I think sooner or later you wouldn't be happy with that. It's our nature and once you realize that when you get to good enough, you should probably stop. I think it can be measured by if you bring a fellow audiophile home to listen to your system and you wouldn't be embarrassed for them to hear it.... you are there.

Well in the 10 years or so that I have gotten back into LP Record listening. A place where I started when I was 8 years old (in 1978)  I have been through 3 Systems in 10 years. I have settled on (without the wife leaving me, although she loves the sound but would rather spend money on other things due to the current state of the world and economics)  Turntable is a Mofi Studiodeck, Outlaw Audio RR2160MKll Integrated Amp, Dahli Zensor speakers with a set out Pioneer CS99 floor speakers and Outlaw Audio M8 Subwoofer for 4.1 stereo sound.  Due to current economics that's the best I can do.  It does sound great to my wife and friends so that's a win.  I love the sound.  I have 299 LP Records of my favorite music 95% Classic Rock from the 60's 70's 80's 90's

@frankmc195 

I've been going down that road since I was 4 years old when my father bought me my first record player, a really nice Zenith Portable with a Cobra tonearm complete with eyes! It did not take me long to notice that it did not sound as good as my father's system. The behavior is now firmly imbedded and I doubt it will stop entirely. On the other hand I will not spend insane money at complexities that do nothing to improve sound like $20,000 CNCed chassis. I am lucky in that I am not impressed by looks or cost, only technical issues in support of better sound as in lower distortion, noise and superior linearity. The Goldfinger cartridge might be a fine cartridge, but I will never buy one because of the stupid diamond tacked on the front.