SUT experience


I finally went the SUT route for my TD124/SPU combo

II wish I would have done it sooner.  I was using the phono input on my McIntosh C47 preamp for the last 3 years and was satisfied.  Yesterday I added a a Japanese Entre T100 to my system and was very surprised.  Many of you will already know but I’m new to the SUT game and it was a game changer.  

128x128adrianleewelch

@adrianleewelch You have now worn your desire for a Rich Tone to be produced very clear. 

A SUT in use will reinforce this, experiencing different SUT's will aid one in finding the influence of a SUT that is most attractive to a personal preference. 

A SUT I would not normally recommend due it having a notable Rich Tone, is a Audio Innovations 800 or 1000 model. For your own purposes this model might be Rich in Tone Nirvana. 

I have the VDH Grail SB “current” phono preamp, so trying out a SUT would require an “voltage” phono preamp.  I have a few Ortofon SPUs and 2 Koetsu carts- was wondering if I should try SUTs - what’s the sonic benefit?  

There is no real sound benefit from a SUT, a Phonostage is very very capable of presenting a recording in a away that is satisfying for numerous listeners.

A SUT 'will' add a Richness in Tone to a replay when used as a comparison to a typical MC Stage.

SUT's are generic in their voicing, the Rich Tone being perceived can be scaled from a Hint of Richness ( a tight fast decaying Bass Note is maintained, maybe a little underpinned with weight) through to a Very Noticeable ( very loose Bass Notes with a extended presence, possibly, depending on the individual listener, this Bass Type treks toward the point of being overbearing).

A Head Amp of the designs I have heard in comparison to a SUT, can be described as being leaner in the voicing than the leanest SUT types. A Head Amp can be more in liking to a MC Stage.

To date, as a personal experience, I have not discovered a Phonostage that has been encouraging enough, to not use the options for voicing a Cart's produced sound via a SUT or Head Amp.      

A “head amp” or “pre-preamp” is simply a linear active gain stage to boost the cartridge output so the ensemble can then drive an MM stage. If you start with a high gain MC phono stage, there’s no role for a head amp. And a head amp, like a SUT, requires the insertion of additional connectors and cables in the signal path.

Correction Required

My statement should have been,  " SUT's are not generic in their voicing, "