What makes One Music Server Sound Better than Another?


So this week my Mojo Audio DejaVu music server that I have used for the past 2-3 years crapped out. Benjamin at Mojo was more than helpful and the DejaVu is on its way to Mojo Audio where it will make a full recovery.

Thankfully, I still have my Antipodes DX2 Gen 3 (their former flagship) music server so I hooked it up. After wrestling with Roon protocols, transfers, and set-up menus, I was able to get it going so I have music. The DX and my Sonore Sig Rendu SE opt. are both connected to my network so the DX (like the DejaVu), is only being used as a Roon core and the Sig Rendu SE serves as the Roon endpoint for streaming Tidal and Qobuz, with a direct USB connection to my DAC.

The point of this thread is to ask, how come I perceive the the DejaVu server as sounding better than the Antipdes DX? In fairness, the differences I perceive are not great but it seems the DejaVu is fuller sounding, more tonally rich, and bolder. Is this why some here spend $10K+ on a Grimm, Taiko or something else?

If a server is basically a computer, sending digital information to a streamer/endpoint and, assuming that digital information is transmitted asynchronously and reclocked by the DAC’s master clock, and assuming noise is not the issue (i.e., both units are quiet and there is an optical break between the network and both the server and endpoint) then what are the technical reasons one should sound better than the other? It is not that I want to spend $10K+ on a music server with a lifespan of maybe 5 years before becoming obsolete, but I would like to understand what more you are getting for your money. So far, the best I can come up with is lower internal noise as the major factor.

As a side note to the above, when I thought things looked hopeless for getting set up, I scheduled a support session with Antipodes and, although I lucked into the solution before the meeting time, Mark Cole responded ready to help. Setting up the session was super easy and reminded me of the superior level of support I had come to enjoy from Antipodes during the time that the DX was my primary server, including multiple updates and 2 or 3 hardware upgrades, which prolonged the service life of the DX. Good products and good company.

 

mitch2

I think you just need to go a good audio dealer and ask them to play you your favourite track with a macbook and then a high end streamer to prove it. 

I have actually done quite a bit more than that.  I've been building all variations of PCs from fanless quiet nothings to super beasts. So I've had my hands on a lot of different variations. 

@mclinnguy

Some folks just can’t get out of their own way. They rather choose to butt heads and throw around their expertise irrelevant to the matter on hand 😊

Some folks just can’t get out of their own way. They rather choose to butt heads and throw around their expertise irrelevant to the matter on hand 😊

Now now, no need for ad hominem attacks because someone posts a contrasting viewpoint.  That reflects much more poorly on the attacker and just means you don't have any substantive point to add.  

If I were to be snarky in kind, I'd agree that my expertise is irrelevant to the matter at hand because the matter at hand is purchase decisions irrelevant to the actual objective of sound quality. 

But I won't.  Instead I will just say that I'd rather have a positive "relationship" (such as it is with a forum) with someone who loves audio even if we cannot see eye to eye on these matters than get into a flame war. The point being there are so few of us audio lovers why do we have to battle. But if you're going to flame, I'm not going to just be a target either. 

It is absolutely true that I have never caught a chicken.  Not unless it came from a drive-through window.  But I do remember when my relatives in Sicily taught my sisters how to pluck one, thinking it would be a useful skill for them in the US.