The hardware part of the system is simple: Audio Technica Cardioid Condenser Microphone AT2035 connected with a XLR cable to the Focusrite Scarlett 2i2 preamp.
@crozbo I've said this many times on line; if your equipment supports AES48 then the interconnect cables will hardly make any difference. I don't think that mic supports it, so you'll have to audition the cables to find the one that works best for you.
Its pretty amazing to me to see how mics have changed over the decades; that you can buy a large element condenser mic now for only $150.00! I'm sure that's given a lot of people access to making music that were shut out before.
But to make a mic at that price you have to cut some corners somewhere, and I suspect that it does so with the tiny preamp that's built into the mic. If it references ground, then cable immunity is out the window. IOW it might be a balanced output, but it doesn't support AES48, the balanced standard. The Audio Technica site doesn't say, so this is theory on my part.
We use Neumann U67s in my studio, running into custom vacuum tube mic preamps, which drive the recorder directly, bypassing our mixer. You can put whatever cable you want in that setup and you don't hear a difference. But the Neumanns have a proper floating output which is the only way AES48 can be supported. They also have no problem driving 150 Ohms, which is a typical microphone level input impedance (quite different from the 3KOhm input of the Focusrite).
These sort of things have to be taken into account when making statements about cables. When you have the lower impedances of the pro equipment, cable differences vanish.