Technics SL-1200GAE or VPI HW-40 or …?

I own the below turntable and it is much more affordable than the above discussion options and have not heard any of the above.  I only compared it to the Mofi Ultra Deck and preferred the Stealth.  The part time audiophile reviewer below owned the Technics 1200G for several years previously and basically stated in this review that the Music Hall Stealth sounded essentially the same as the much more expensive Technics.  

Anyway it's another good option for much less money that could be put toward other items such as cartridge and phono stage, etc which probably have even more impact on the sound.

Music Hall Stealth Turntable | REVIEW - Part-Time Audiophile (parttimeaudiophile.com)

A familiar Audiogon motif: OP asks should I buy A or B. Responders say buy C instead. I would only say to disregard a reviewer who says there’s no difference between the Technics and the Stealth. Sorry I can’t help with your choice as I’ve not heard either TT. I advise you to take a careful look at the features of both as regards tonearm and TA mounting, platter construction, ability to dissipate extraneous energy, etc., and use those factors in your decision making. Their both going to keep near perfect speed stability.

Technics have removable headshells, allowing a collection of cartridges, MC/MM/Mono

regarding Technics specs, here’s the database

My recommendation is to get a TT that has/allows two tonearms, 1 with removable headshell (1st one), eventually 2nd arm if you get into Mono for instance, ready to play stereo/mono in a listening session within seconds

From my experience with current VPI I'd go the technics. I found the VPI prime 21 i bought two years ago rather lacking in fit and finish. I had issues to the point i sold it back to the dealer and bought another brand. My tone arm was not straight, the tone arm lift didn't work out of the box, the motor made noises.  regardless my experience with current VPI was disappointing at best. 

Technics has basically perfected the direct drive motor that everyone else copies. I doubt VPI even makes their own direct drive motors, and even if they did, they do not have the resources that technics have for development.

I believe I can help you with your query.  My two principle TTs are an HW40 and an SL1200GAE.  They sit side by side in my principle system and are in daily use when I am in my primary residence in South Florida.  Both TTs have been with me for several years now.  Nominally the HW40 is my stereo TT and the GAE is my mono TT, although as this is written I am listening to the GAE in stereo, so nothing is locked in stone around here.  My HW40 is normally set up with a SoundSmith Hyperion, but at this time that cartridge is in Peekskill getting a new diamond tip.  So at this time I have a VAS MC cartridge mounted which is not my favorite for jazz.  So the GAE is getting used in a dual role because I have a 2M Black and a 2M Mono SE set up for it, which are interchangeable without changing set up.  This is ideal with two identical headshells.  The 2M Mono SE is a 2M Black in mono and is my preferred choice for most hard bop mono records.  Anyway, I explain all this because it illustrates the principle difference between these two excellent TTs:  The HW40 is more audiophile-centric.  It is not as easy to set up, principally because of the one piece arm, although it is not as difficult as many.  It does sound sublime.  The GAE, is easier to set up and with it's detachable headshell it is more versatile for the record collector.  Speedwise it is a match for the HW40.  They are both equally quiet.  To both I fitted Iso-Accoutics feet to immprove isolation, although neither really needed it.   I can strongly recommend both TTs.  Choose the one that fits you best.  Are you a record collector or an audiophile?  If you are both like I am, you can't go wrong with one of each.  Naturally if I can answer questions feel free to ask.