New streamer needed


My streamer, 10yrs old, stopped functioning. Now I am listening to CDs again with the transport of the older Accuphase DP-67 and Merason Frerot DAC. The combination sounds great, very detailed and transparent. Now I am wondering how much money I would need to spend on a new streamer to match that sound level and which brands and models to look for. Any suggestions, possibly also from people who know the Merason and/or Accuphase? I am using Qobuz for streaming, and wireless options would be great too. Thank you.

stievus

@audphile1 

“Don’t you love it when you ask for advice and you get a response claiming that you’re pretty much delusional because what you hear, none of that is real, it’s all in your head. The details, transparency and depth is all confirmation bias. Or your dac is not entirely immune to jitter. Or it is both confirmation bias and your dac sucks.”

To quote a former U.S. president, “there you go again.” That’s just an ad hominem attack dressed up as a defense of the OP.  I really urge you to dial it back.   I stated very clearly up front in my first response to the OP exactly what my perspective is, and also made sure that he understood that there was an alternative perspective.  And unlike you, I characterized that alternative in a fair and even-handed way.
 

And with respect to your specific accusations, let me just give you one example of how hyperbolic your language is.  I have never, in this post or any other, claimed that a DAC that is not completely immune to jitter and other sources of noise sucks.  I have seen others make that argument, but I have never done so.  My own opinion, if you care to consider it, is that DAC designers make deliberate design choices based on sonics and economics.  

Now I’m no expert on the following point, so I would invite others to correct me if I’m wrong, but I can imagine that an NOS DAC, which is obviously not over sampling, is also less likely to reclock.  And I can imagine that building in significant noise filtering costs more $ at the margin (just like reclicking and over sampling).  So I can imagine a designer might make an advertent decision to concentrate their spending on other aspects that, assuming the DAC has a clean signal from a streamer, are more likely to have positive sonic benefits. That is also why I imagine that some companies offer both reclocking/oversampling devices and DACs separately, so the consumer can choose more precisely what he or she wants to spend his or her $ on.  And I can totally understand why someone would buy just such a DAC, because they like how it sounds!  And that’s awesome, and I bet I’d enjoy it too!

Finally, to @stievus , please be careful how you let anonymous posters manipulate your views in order to grind their own axes.

@stievus 

I swear, this is the last time I’m going to ask; I’m doing so because it might help me and others understand your situation and give you the feedback you’ve asked for.  What was or were the exact streamer(s) - brand(s) and model(s) - that broke down on you?  Am having a hard time understanding your reluctance to share that key data point.

@mdalton I respond honestly based on my own experience. There’s nothing ad hominem about my response at all.
I disagree with your theory and your endless confirmation bias propaganda and you can’t get over it.

Nothing for me to dial back here buddy. If you don’t like my posts, don’t read ‘em