Comparison of sonic qualities of some tonearms

@dogberry I clearly state endlessly that I attempt to make references to my experiences only.

If I do add experiences not directly observed, it will only be about comments I received about an extension of experience I had prior to the one being updated on, with content supplied from individuals whom I have come to trust substantially in audio related topics.

@dogberry 'write' and 'wink' your inaccuracies as you please, I have nothing to prove, my time on here is solely to offer another forum member, a alternative way to consider when looking to learn or make changes.

I am successful at that, I can assure you, even though it is most likely blind to yourself.     

Quantum mechanics is an anti-philosophy.

@terry9 Those files are rigged. I know the Atlas SL real well. I am listening to one as we speak playing Alice in Chains, "Dirt." @lewm is correct, "something is broken." I might also add that Mr Fremer suffers from severe presbycusis according to people who know him well. You might notice that he has a tendency to talk really loudly, a sure sign. 

I have a calibrated instrument that I use to measure and adjust my system. I highly recommend it. 

@drbond I think that description best fits mahgister. @pindac  is into string theory. His speakers are so efficient he wires them with string, Egyption cotton sounds best 

"Something is broken" on which one? Or rigged? Which is it?

Based on my experiments, all five are plausible with the same cartridge. Not to mention changes in set-up. When changing tonearms, it is impossible not to change the alignment of arm board (or head shell) and cartridge. Azimuth can do some of that, so can VTA. So can countless decisions in tonearm design.

What calibrated instrument do you use? What is it's accuracy? What judgements are required?

Typo, sorry.